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Movie poster for Into the Wind (2022)

Into the Wind

2022
1h 48m
14 · Polish
Director: Kristoffer Rus
Search on Netflix

Overview

She graduated from a prestigious high school in Warsaw and entered medicine in London. He works as a kitesurfing instructor at the seaside, thanks to which he combines earning money and passion. They will meet in Hel. The unusual charm of the boy makes the girl exceed her limits and enter a completely unknown world of kitesurfing, music and fun. The feeling that arises between them does not please her family or his friends. Is Ania and Michal's relationship strong enough to overcome adversities and become more than just a holiday love?

Cast

12 people

Reviews

5 min read

The Wind as Both Obstacle and Invitation

I’ve always thought of kitesurfing as the closest thing to flying without leaving the earth—an act of surrender to something bigger than yourself. The wind doesn’t care about your plans, your fears, or your carefully constructed identity. It either lifts you or knocks you down. Into the Wind, Kristoffer Rus’s 2022 Polish drama, understands this duality intimately.

The film isn’t just about kitesurfing; it’s a story where the wind itself becomes a character, a force that tests, tempts, and ultimately reveals the people caught in its path.

The premise is deceptively simple: Ania (Sonia Mietielica), a Warsaw-born medical student with a future mapped out in London, meets Michał (Jakub Sasak), a kitesurfing instructor in the coastal town of Hel. She’s all sharp edges and ambition; he’s sun-bleached ease, a man who has turned his passion into a way of life. Their romance unfolds against the backdrop of the Baltic Sea, where the wind is both adversary and ally, and where the rules of the land don’t apply.

The film’s tagline might as well be: What happens when the person you’re supposed to become collides with the person you could be?

A wide shot of the Baltic coastline, where the wind whips the sea into frothy whitecaps and the sky is a vast, unbroken blue.

Rus doesn’t treat this as a typical coming-of-age story, though it has the trappings of one. There’s no grand epiphany, no third-act betrayal that forces Ania to choose between duty and desire. Instead, the film lingers in the in-between spaces—the quiet moments when she’s learning to read the wind, when Michał’s hands guide hers on the kite bar, when the two of them lie on the beach, sun-drunk and silent.

The camera often frames them from a distance, small against the immensity of the sea and sky, as if to remind us that their story is just one thread in a much larger tapestry. This isn’t a film about love conquering all; it’s about love as a kind of weather, something you can prepare for but never fully control.

The sport of kitesurfing, with its mix of precision and surrender, becomes a perfect metaphor for the film’s emotional core. Ania is used to being in control—her life is a series of calculated steps toward a stable future. But the wind doesn’t obey calculations.

Audience Opinions

Limited evidence
Audience 6.5/10
"A visually poetic romance with strong performances that struggles to stand out from familiar tropes."

The atmospheric direction and the chemistry between the leads give the romantic drama depth. The story is predictable, though, and some side characters lack development, leaving the film fairly conventional despite its stylish execution.

What viewers praise
  • Strong lead performances Sonia Mietielica and Jakub Sasak deliver compelling performances that anchor the emotional core of the film.
  • Visually atmospheric The cinematography and tone create a poetic, immersive experience.
  • Genuine chemistry The on-screen relationship between the leads feels authentic and engaging.
Common complaints
  • Predictable plot The story follows well-worn romantic drama tropes and feels unoriginal.
  • Underdeveloped side characters Supporting roles lack depth, leaving the narrative uneven in places.
  • Slow pacing The pace is too leisurely, particularly in the middle act.
Recommended for
Fans of atmospheric romance Indie drama enthusiasts Fans of character-driven stories

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Behind the Scenes of Into the Wind (2022): A Polish-Swedish Romance with Streaming Heat

Into the Wind (2022), directed by Kristoffer Rus, arrived as a sleeper hit on streaming platforms, blending romance, drama, and sports into a story that resonated with audiences. latestnetflix.com's view is that while the film’s on-screen chemistry between leads Sonia Mietielica and Jakub Sasak stole the spotlight, behind-the-scenes details reveal a production shaped by Rus’s signature style and the growing influence of international streaming markets.

A Director’s Signature: Family-Oriented Storytelling

Kristoffer Rus, a Polish-Swedish filmmaker, has carved a niche with family-friendly and emotionally driven projects that thrive on platforms like Netflix. Into the Wind fits neatly into his filmography, which includes other streaming successes like Too Old for Fairytales. Rus’s approach often leans into accessible, character-driven narratives, and Into the Wind appears to follow that blueprint—though specifics about his creative process for this film remain scarce in the available evidence.

What’s clear is that Rus’s work has found a global audience, thanks in part to the reach of streaming services. Into the Wind was released under the original Polish title Pod wiatr, and its international appeal is evident in its availability across multiple regions. The film’s 107-minute runtime and genre blend (comedy, drama, romance, and sports) suggest a deliberate effort to balance emotional depth with broad appeal.

On-Screen Chemistry: Ania and Michal’s Romance

The heart of Into the Wind lies in the relationship between Ania (Sonia Mietielica) and Michal (Jakub Sasak), a pairing that sparked fan interest long before the film’s release. Clips of their kiss scenes and a tender cover of The Night We Met have racked up views online, offering a glimpse into the film’s romantic core. These moments—shared widely on platforms like YouTube—hint at a deliberate strategy to build anticipation through social media, a tactic increasingly common for streaming originals.

While the evidence doesn’t confirm whether the actors’ off-screen dynamic mirrored their characters’, the chemistry in these snippets feels authentic. Mietielica and Sasak’s performances seem to anchor the film, with supporting roles from Waleria Gorobets, Sebastian Dela, and a cast of Polish veterans like Marcin Perchuć and Sonia Bohosiewicz adding depth.

Audience Reception: Mixed but Engaged

Critically, Into the Wind has drawn a range of reactions. On SensCritique, the film holds a 4.6/10 rating based on 45 votes, a modest but not damning score. Rotten Tomatoes doesn’t list a critic score for the movie, leaving audience reception as the primary barometer of its success. The lack of widespread critical coverage suggests the film may have flown under the radar for some, but its streaming availability likely helped it find a niche audience.

One unverified detail worth noting: the film’s French title, La Force du vent, hints at a broader European release strategy, though specifics about its performance in non-Polish markets remain unclear.

The Bigger Picture: Streaming’s Role in Mid-Budget Films

Into the Wind reflects a growing trend in European cinema: mid-budget films designed for streaming platforms rather than theatrical releases. Rus’s track record with Netflix projects like Too Old for Fairytales suggests Into the Wind was likely greenlit with a similar model in mind—prioritizing accessibility over box-office numbers. This shift allows filmmakers to take creative risks without the pressure of theatrical success, though it also means films like this one can slip through the cracks if they don’t generate immediate buzz.

What’s Missing?

For all its charm, Into the Wind leaves some questions unanswered. There’s no evidence about the film’s budget, shooting locations, or behind-the-scenes challenges (e.g., whether the sports elements required extensive training for the cast). Rumors about a potential sequel or spin-off are also nonexistent in the available sources. Without deeper industry reporting, the film’s production story remains a tantalizing but incomplete puzzle.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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