
Alaya F
Amrita/Ayesha

“2 love stories, united by fate”
In pursuit of forbidden love, two young couples from different worlds find their lives entangled as rebellion and intolerance collide in dual stories.
I keep thinking about the title—Almost Pyaar with DJ Mohabbat. There’s something achingly precise about that "almost." It’s not pyaar, not love, but the space just before it, the breath held between desire and disappointment.
And then there’s the DJ, the curator of sound, the one who mixes tracks into something new. What does it mean for love to be mediated by a DJ? Is this a story about how we outsource our emotions to playlists, to algorithms, to the voices of strangers on the radio?
Or is it simpler: a tale of two couples, their lives tangled in the static between what they want and what they get?
Anurag Kashyap has never been a director who shies away from the messiness of modern love—Dev.D’s self-destructive romance, That Girl in Yellow Boots’s transactional intimacy—but here, the mess feels different. Less explosive, more muted. The film’s promotional stills (or what we can glean from them) suggest a visual language that’s both vibrant and claustrophobic.
Neon-lit streets, close-ups of hands brushing against each other, faces half-hidden in shadow. It’s the kind of imagery that promises a love story, but one that’s been filtered through the glow of phone screens and the hum of city life.

Kashyap’s films often thrive on contrast—the grit of Mumbai’s underbelly against the sheen of Bollywood dreams, the raw energy of youth clashing with the weight of tradition. Almost Pyaar with DJ Mohabbat seems to be playing with a similar tension, but the stakes feel quieter. The tagline—"2 love stories, united by fate"—hints at a narrative structure that’s more intertwined than linear, more about parallel lives than a single arc.
It’s a familiar device, but one that can feel fresh when executed with the right balance of intimacy and detachment. The question is whether Kashyap can make the "almost" feel as compelling as the "pyaar."
The soundtrack’s early release in 2022 suggests music isn’t just an accompaniment here; it’s a character. In Kashyap’s hands, music has always been more than background noise. Think of Gully Boy’s hip-hop rebellion or Sacred Games’ haunting score.
Here, the DJ isn’t just a job title—it’s a metaphor. A DJ doesn’t create the music; they shape it, remix it, give it new life. Is that what love is in this film?
"A music-led Anurag Kashyap love story that curious romance fans sample on streaming, drawn more by the cast and songs than by any promise of easy date-night romance."
Almost Pyaar with DJ Mohabbat is Anurag Kashyap's 121-minute romantic drama with music, built around Alaya F and Karan Mehta, with Vicky Kaushal also featured. Its audience mostly finds it on Netflix and Prime Video and then checks honest reviews, critic reviews and trailers before committing, while music fans follow the soundtrack. Traction is low, pointing to curiosity rather than strong enthusiasm, typical for an offbeat musical romance that some finish for the mood and music and others abandon.
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This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Anurag Kashyap’s Almost Pyaar with DJ Mohabbat (2023) promised a fresh take on Bollywood romance, blending Kashyap’s signature grit with the vibrancy of musical storytelling. latestnetflix.com's view is that Starring Alaya F and Karan Mehta in lead roles, the film arrived with buzz—partly for its director’s reputation, partly for its eclectic cast, and partly for the sheer curiosity around its premise.But what really went down behind the scenes?
Kashyap, known for his edgy, independent films like Gangs of Wasseypur and Dev.D, took a detour with Almost Pyaar with DJ Mohabbat. The film is a musical romance, a genre he hadn’t fully embraced before. According to the film’s SensCritique listing, it’s categorized as a "Drame, Comédie musicale, Romance," running 121 minutes. This shift raised eyebrows—would Kashyap’s trademark rawness clash or harmonize with the film’s musical numbers?
The trailer, released ahead of the film, teased a high-energy mix of romance, drama, and dance sequences, with Alaya F and Karan Mehta at the center. Vicky Kaushal, though part of the cast, had a smaller role, which fueled speculation about his cameo being a last-minute addition or a nod to his rising stardom.
Alaya F, daughter of actress Pooja Bedi, was already making waves in Bollywood with her debut in Jawaani Jaaneman (2020). Almost Pyaar with DJ Mohabbat marked her first major lead role in a film with a director as polarizing as Kashyap. In a behind-the-scenes clip, Alaya and Karan Mehta spoke about the challenges of balancing romance and realism in their performances. Mehta, a relative newcomer, was seen as the underdog—his chemistry with Alaya became a talking point, with fans dissecting their on-screen dynamic from the trailer alone.
But the film’s promotion wasn’t without hiccups. A viral moment captured Alaya’s reaction when a journalist mistakenly called her "Alia Bhatt" during a trailer launch event. The clip showed Alaya correcting the reporter with a mix of amusement and exasperation, quickly becoming a meme and drawing attention to her rising profile.
The soundtrack of Almost Pyaar with DJ Mohabbat was one of its biggest selling points. Composed by Amit Trivedi, with lyrics by Shellee, the songs Banjaare and Duniya became instant earworms. Banjaare, sung by Nikhita Gandhi, was a standout—its folk-meets-modern vibe aligning with the film’s eclectic tone. Meanwhile, Duniya, sung by Abhay Jodhpurkar, leaned into a more melancholic, romantic sound.
The music videos, released ahead of the film, gave fans a taste of the film’s aesthetic, blending Kashyap’s urban realism with the escapism of musical numbers. Whether this fusion worked for audiences, however, remained a point of debate—reviews were mixed, with some praising the boldness and others critiquing the tonal shifts.
Almost Pyaar with DJ Mohabbat arrived with high expectations, but its reception was far from unanimous. While some appreciated Kashyap’s attempt to break away from his usual fare, others found the musical elements jarring. Rotten Tomatoes’ listing for the film doesn’t include an audience score, suggesting limited traction or delayed reviews. The film’s runtime (121 minutes) and genre-blending approach may have alienated fans expecting a typical Kashyap dark drama.
Behind the scenes, the film’s journey was as much about its stars as its director. Alaya F’s rising career, Karan Mehta’s underdog status, and Kashyap’s willingness to experiment all played into the narrative. Whether Almost Pyaar with DJ Mohabbat will be remembered as a misfire or a cult favorite remains to be seen—but for now, it’s a fascinating footnote in Kashyap’s filmography.
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