
Caitlin Fang
Huang Chiu-Yue / Yue

Yue's brother was executed by the government. Determined to bring his body back home, Yue goes to Taipei alone and finds help in Chao Kung-tao, a discharged soldier. Two people with no relations become friends in need, embarking on a journey that could cost them their lives.
I keep thinking about the formalin pool. Not the way you’d remember a jump scare or a twist, but the way you remember a smell—something that lingers in the back of your throat long after you’ve left the theater. In A Foggy Tale, director Chen Yu-hsun doesn’t just show us the White Terror; he makes us wade through it, step by step, in a pair of ill-fitting shoes.
The film’s most devastating moment isn’t a gunshot or a betrayal, but two sisters standing in a dimly lit room, surrounded by jars of preserved bodies, their faces reflected in the murky liquid. It’s the kind of scene that makes you forget to breathe.
Chen has spent his career balancing humor and heartbreak—My Missing Valentine is a rom-com where the punchline is time itself—but A Foggy Tale is his first foray into outright history. And yet, he refuses to let the weight of the past crush the story. As The Asian Cinema Critic puts it, this is a film where “sorrow is balanced with humor, hardship with tenderness,” a tragicomedy that reverses the usual formula: here, the close-ups are tragic, the long shots comic, and the fog that gives the film its title is a character in its own right.

The story follows Yue (Caitlin Fang), a teenage girl from Chiayi who travels to Taipei in 1953 to retrieve the body of her brother, executed by the Kuomintang during the White Terror. She’s naive, stubborn, and utterly unprepared for the city’s cruelty—or its kindness. That kindness comes in the form of Chao Kung-tao (Will Or), a discharged soldier turned rickshaw driver, who is loud, foul-mouthed, and, beneath it all, deeply damaged.
Their partnership is tenuous, born of necessity rather than trust, but it’s the film’s emotional core. Fang and Or have a chemistry that feels lived-in, the kind that makes you believe these two would actually stick together in a crisis. Fang, in particular, is a revelation—her Yue is all wide-eyed determination, but there’s a steeliness beneath it, a refusal to be broken even when the world keeps trying.
"A moody, atmospheric drama with strong performances and a pace that tests patience."
Haunting visuals and compelling lead performances make the film immersive, and it lingers afterward. The slow burn and ambiguous narrative, though, deliver little clarity or emotional payoff.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
When the credits rolled on A Foggy Tale and the Golden Horse trophies started piling up, you probably thought, “What a serious, classy historical drama.” Adorable. latestnetflix.com's view is that Behind that misty White Terror melancholy is a surprisingly spicy trail of favoritism jokes, on-set roast sessions, political landmines, and one very real cancer battle that turned the film into something way more personal than anyone signed up for.
Hong Kong actor Will Or (柯煒林), who plays rickshaw driver Zhao Gongdao, has been loudly—though playfully—calling out director Chen Yu-hsun for “blatant favoritism” toward co-star Caitlin Fang (方郁婷). - At Golden Horse–adjacent press events, he joked that during the entire shoot Chen never once scolded Fang, while he himself got chewed out on the daily: “I was getting yelled at every day and she’s over there getting praised. My heart is so unbalanced.”
Director Chen revealed that Will and Caitlin had a habit of slipping into relaxed, fluent English between takes—even though they’re playing 1950s rural Taiwanese characters. - Chen roasted them in interviews, saying it was like “two country bumpkins from the 40s secretly speaking English behind my back,” while he’s trying to keep the period illusion intact. - The pair insist it was just a way to decompress from the intense material—but the mental image of soot-covered, half-starved peasants suddenly going “Bro, that take was rough” in English is priceless.
In TV interviews, Will has laughed about how fast he picked up local swear words while shooting in Taiwan, because the role demanded a rough, foul-mouthed veteran. Director Chen, he joked, “knows quite a lot of curse words too,” and was not shy about deploying them when pushing for authenticity.
The film finished shooting long before anyone knew, but in July 2025 Will Or was diagnosed with stage 4 lung adenocarcinoma. By the time A Foggy Tale hit festivals and cinemas, he was in active treatment—yet he still ran himself ragged doing post-screening talks. - Taiwanese outlets report he attended over 30 post-screening Q&As and fan meetings while undergoing targeted therapy, often rushing from the hospital to the cinema. - Asked why he kept doing it, he said the film meant too much to him, and that the audience’s response gave him strength to keep going.
In a Tatler Asia interview, Will said that while they filmed in 2023 he didn’t fully understand the film’s metaphor about people trapped in history’s fog. Only when the world premiere rolled around two years later—post-diagnosis—did it hit him:
Will was nominated for Best Actor at the 62nd Golden Horse Awards but didn’t win. Witnesses and commentators say he showed zero disappointment; instead, when A Foggy Tale took Best Feature Film, he was one of the most visibly ecstatic people in the room, cheering harder than some producers. - One commentator on Threads noted that despite his stage-4 diagnosis, “when A Foggy Tale won, he looked happier than anyone. It’s like the film winning was more important than his own award”.
To become 15-year-old country girl Yue, Caitlin Fang had to ditch her usual modern, soft look and chop her hair into a very short, boyish cut. - She admitted the transformation hit her hard: throughout filming, whenever she wasn’t on camera, she’d look in the mirror and feel “really shaken” by how unlike herself she looked. It wasn’t just vanity—going from elegant to grimy, cropped, and exhausted helped her get into character, but messed with her self-image.
Singer-turned-actress 9m88 (Joanne Tang), who plays glamorous nightclub singer Hsia, got pulled into a gossip storm of her own—though not directly tied to the Foggy Tale set. - Taiwanese/Chinese outlets had been pushing rumors she was secretly dating her good friend, actor Zhang Guangchen. In 2024–2025 coverage she very bluntly called those reports “fake news” and clarified she’d actually been single for four years. - She even “opened casting” for a boyfriend in a cheeky way during a brand event, asking the media where all the good men were, firmly repositioning herself as happily unattached. - During Foggy Tale promotion, she and co-star Caitlin were often described as having “sisterly” chemistry, on and off screen—no scandals, just a lot of mutual fangirling over how pretty and talented the other one is.
A Foggy Tale dives straight into Taiwan’s White Terror period—state executions, political prisoners, and decades of martial law. Multiple analyses point out that a film this blunt about KMT-era repression would be politically impossible inside the PRC market. - A long-form piece on Taiwan’s information warfare notes that A Foggy Tale is exactly the sort of film that runs counter to Beijing’s preferred narratives—and that its success strengthens Taiwan’s democratic memory against Chinese cognitive warfare. - Insiders and commentators alike treat it as a given that the movie will not be submitted to or approved by mainland Chinese censors. It’s effectively a Taiwan + international festival/Netflix-only title by design.
The politics turned very literal when a Hong Kong travel agency planning a group trip to Taiwan quietly backed out of a program that included a screening of A Foggy Tale. - According to a Reddit discussion of the incident, the agency cited concerns over the “controversial film” as the excuse to cancel—prompting users to mock the move as classic self-censorship and political overreaction. - The cancellation was discussed in the same breath as other art-house titles deemed “too sensitive,” underlining how even a Taiwanese historical drama can spook cross-border businesses in 2026’s climate.
On the flip side, Taiwan’s own president Lai Ching-te attended a screening and was reported as being “deeply moved” by the film’s portrayal of the White Terror era, praising its role in helping the public process historical trauma.
Some fans initially raised an eyebrow at the fact that a central “waishengren” (mainland-born veteran) character is played by a Hong Kong actor rather than a Taiwanese performer. - Director Chen addressed this in interviews: they spent a long time searching for someone who could convincingly embody a Guangdong-born soldier dragged to Taiwan in the 1950s, complete with the right accent and physicality. - Chen confessed he “wrestled” with casting Will Or, describing him as a “fashionable Hong Kong youth who didn’t really know what happened in Taiwan 70 years ago” but insisting that something about his energy and look felt right for the part. - The final verdict? The risk paid off—critics singled out Or’s accent and physical transformation as among the film’s standout elements, and Golden Horse voters rewarded him with a Best Actor nomination.
Coverage of the production notes that the team used around 200 actors and extras to recreate Taipei’s Rongding (榮町) district, stuffing the frame with vendors, soldiers, mourners, and street kids to make 1950s Taipei feel suffocating and alive at the same time.
Chen Yu-hsun has said in multiple interviews that he didn’t over-research; instead he felt “pulled” by the story, almost as if the era itself was guiding the film. He calls A Foggy Tale a movie about “disappearing people and remaining landscapes” and implies there was something fated in how it came together. - Combined with his jokes about “seeing things” on set and the film’s funeral-home settings, fans have leaned into a low-key “this film is haunted” mythos—even if that’s more vibe than verified haunting.
In his Tatler interview, Will casually dropped that he didn’t have to audition at all: the team just sent him the script and offered him the role outright, which shocked him enough that he asked them to double-confirm they really didn’t want a screen test. A level of “we already decided you’re him” that most actors can only dream of.
A Foggy Tale led the 2025 Golden Horse nominations with 11 nods and walked away with at least four major wins, including Best Narrative Feature and Best Original Screenplay, instantly making it the Taiwanese film conversation of the year. - International outlets from Hong Kong to Ireland and Berlin highlighted the film as “must-see Taiwanese cinema,” giving it the kind of cross-border buzz that serious political dramas almost never get.
Despite hunting through Taiwanese and Hong Kong entertainment coverage, social chatter, and festival Q&As, there are no credible reports of:
If fans ship anyone, it’s mostly in a wholesome way: Caitlin Fang and Will Or for their protector–kid dynamic, or 9m88 and Caitlin as sisters with contrasting glam vs. Grit energy. But those pairings live firmly in fanart and headcanon for now—no DeuxMoi-level scandal to see here.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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