
Ajay Devgn
Guddu

The Dhamaal boys are back for another treasure hunt, facing hilarious challenges in their quest for the Treasure of Life.
I’ve seen Dhamaal 4 twice now—once in a packed multiplex where kids shrieked at every pratfall, and once alone at home, where the silence made the jokes land with a thud. That split reaction tells you everything: this is a film that knows its audience, but only one of them.
The premise is comfort food. Four greedy, bumbling friends—Guddu (Ajay Devgn), Adi (Arshad Warsi), Lallan (Riteish Deshmukh), and Manav (Jaaved Jaaferi)—stumble onto another treasure map, this time leading to ₹50 crore hidden under the cryptic marker “M.” The formula is identical to Dhamaal (2007): a MacGuffin, a series of escalating disasters, and a climax where the money slips through their fingers.
The difference? In 2007, the chaos felt spontaneous. In 2026, it feels like a factory reset.

Indra Kumar, directing his fourth Dhamaal, leans hard into the franchise’s old-school charm. The problem is that charm has curdled into formula. The film’s first half is a gauntlet of shouted insults, pratfalls, and a ghost sequence so tonally jarring it feels like it wandered in from another movie.
(The ghost, by the way, is played by a CGI specter that looks like it was rendered in Microsoft Paint 2005.) The humor relies on volume—characters scream, objects explode, and the soundtrack blares—but the laughs are as hollow as the CGI. Hindustan Times’ critic wasn’t wrong when they counted only five genuine laughs in the entire runtime. I got three.
The second half fares slightly better, mostly because the jungle setting allows for broader, more physical comedy. There’s a sequence where the gang forms a human chain to rescue a friend from a sinking ship, and for a brief moment, the film remembers how to be funny. The timing is tight, the stakes feel real (even if the ship is clearly a soundstage), and the camaraderie between the actors sells it.
"A noisy, nostalgia-driven treasure hunt that delivers scattered laughs but stumbles on crude humor and sloppy visuals."
Energy, nostalgia, and the returning gang are what work best, with Arshad Warsi, Jaaved Jaaferi, and Sanjay Mishra singled out as the ones who actually make scenes funny. On the other hand, patchy writing, flat physical comedy, cheap-looking AI-heavy CGI, aggressive product placement, and body-shaming jokes drag the experience down, latestnetflix.com argues, leading to a sharply mixed split between those enjoying it as a loud stress-buster and those calling it the weakest entry in the series.
When the Dhamaal gang went chasing treasure again, they also tripped over drama, leaked footage, latestnetflix.com maintains, fat-shaming debates and one very salty Anil Kapoor. Buckle up: this is the chaos behind the comedy.
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