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Movie poster for Hellboy (2019)

Hellboy

“Demons have demons too.”

2019
2h 1m
Director: Neil Marshall
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Overview

Hellboy comes to England, where he must defeat Nimue, Merlin's consort and the Blood Queen. But their battle will bring about the end of the world, a fate he desperately tries to turn away.

Cast

12 people

Reviews

4 min read

A cover band with the bass too loud

I have seen Hellboy before. Not this one. The other one, Ron Perlman with the horns filed down just enough that he can slump into a diner booth and order pancakes.

That Hellboy was a bruiser with a heart, a demon who wanted to be a man and kept getting yanked back into the apocalypse. Neil Marshall's 2019 version, with David Harbour in the makeup, sounds like a cover band playing a song you already know. The bass is too loud.

The lyrics are slightly wrong. I would not call it a disaster. I would call it a film that never decides what it is.

It opens with a prologue stuffed so full of lore it plays like a summary set to explosions. Arthurian England. Merlin's consort Nimue, Milla Jovovich, is betrayed, her body hacked apart and scattered.

Cut to Tijuana, where Harbour's Hellboy punches a luchador demon while a crowd cheers. Grimdark fantasy, then a grindhouse brawl, in one splice. Marshall made The Descent and Dog Soldiers.

He knows cramped horror. Here the canvas is so wide it starts to tear. The film lurches from set piece to set piece and never finds a pulse.

Nazi occultists, father-son tension, giant monsters. All present. All crammed into two hours like a list someone was afraid to leave incomplete.

Hellboy and the team stand in a misty forest, weapons drawn, facing an unseen threat

Harbour is the interesting mistake. Perlman had rumbling charm and reluctant heroism. Harbour plays a sulking teenager with horns.

He scowls. He pouts. He delivers one-liners like a man reading his own eulogy.

Early on, fresh off a mission, Hellboy sits in a pub with his adoptive father, Professor Broom, Ian McShane. Broom says, "You're not just a weapon. You're my son."

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Hellboy (2019): The Reboot That Went to Hell

The 2019 Hellboy reboot was meant to revive the beloved Dark Horse Comics character for a new generation. Instead, it became a cautionary tale of production chaos, creative clashes, and a $55 million flop that left stars and fans alike scratching their heads. Directed by Neil Marshall (The Descent), the film starred David Harbour (Stranger Things) in the title role, alongside Milla Jovovich, Ian McShane, and Sasha Lane. But behind the scenes, the project was plagued by problems—some self-inflicted, latestnetflix.com maintains, others beyond its control.

A Troubled Production from the Start

The reboot’s woes began long before cameras rolled. Originally, Hellboy creator Mike Mignola was deeply involved in the early stages, but creative differences with the studio led to his departure . The script underwent multiple rewrites, and the tone swung wildly between dark fantasy and outright horror—a far cry from the balanced mix of the Guillermo del Toro-directed originals . Neil Marshall, known for his visceral horror work, was brought in to steer the ship, but even he admitted the production was a "difficult" experience .

David Harbour, stepping into the iconic role previously played by Ron Perlman, found himself at the center of the storm. Reports suggest he took it upon himself to seek outside help to salvage the film, reportedly reaching out to writers and even Marvel creatives in an attempt to fix the script . But by then, the damage was already done. The film’s rushed post-production—including last-minute reshoots and a tight release schedule—left little room for polish .

Creative Clashes and Studio Interference

YTYouTube·David Harbour Admits Hellboy’s Failures - Blames…
https://www.youtube.com/watch?v=WpLfeASBn2k

Marshall later revealed that the studio’s demands clashed with his vision. In an interview, he hinted at "competing agendas" and a lack of creative control, though he stopped short of naming names . Meanwhile, Harbour’s attempts to course-correct were met with resistance. The actor, who had initially been excited to take on the role, later admitted the film’s failures were a team effort—but not without pointing fingers at others .

The final product reflected these struggles. Critics panned the film for its messy tone, over-the-top gore, and lack of the charm that made the originals so beloved. On Rotten Tomatoes, it holds a dismal 17% approval rating , and audiences weren’t much kinder, with a 4.4/10 score on SensCritique . Even the soundtrack, composed by Benjamin Wallfisch (Blade Runner 2049), failed to elevate the material .

What Went Wrong?

So, where did Hellboy (2019) go off the rails? The evidence points to a perfect storm of issues:

  • Script instability: Multiple rewrites and a lack of clear direction left the story disjointed , .
  • Tone whiplash: The film veered between self-serious horror and campy action, alienating fans of the originals , .
  • Studio meddling: Marshall’s comments suggest interference from Lionsgate, which may have prioritized marketability over coherence .
  • Post-production rush: Reshoots and a tight schedule left little time for fixes, resulting in a visually uneven final cut .

The Aftermath

The film’s failure effectively killed any hopes of a sequel. Harbour, who had signed on for multiple movies, later admitted the experience was a "disaster" but stopped short of blaming any single person . Marshall, meanwhile, moved on to other projects, though his comments about the reboot’s struggles remain some of the most candid insights into what went wrong .

For fans, the 2019 Hellboy serves as a reminder of how even beloved franchises can stumble when creative vision collides with studio demands. And for Hollywood, it’s a case study in how not to reboot a classic.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.