
Vittoria Puccini
Elisa Girotto

Elisa is only forty when an incurable disease takes her from her husband and their daughter. Before her heart stops, Elisa finds a way to stay close to her: a gift for every birthday up to her adult age, 18 gifts to try to accompany her child's growth year after year.
I’ve seen this trick before. A terminal diagnosis, a parent scrambling to leave behind some kind of legacy for a child too young to remember them. It’s a story that’s been told in cancer wards and courtrooms, in memoirs and made-for-TV movies.
The premise of 18 Presents is so familiar it borders on cliché—until it isn’t. Because what Francesco Amato does here isn’t just about the gifts. It’s about the girl who has to open them.
The film opens with Anna (Benedetta Porcaroli), eighteen and furious, storming out of her father’s house after a fight. She’s all sharp edges and defiance, a teenager who’s spent her life resenting the mother she never knew. Elisa (Vittoria Puccini) died of breast cancer when Anna was just a baby, leaving behind a series of birthday presents—one for each year until Anna turns eighteen.
The gifts are meant to be a bridge, a way for a mother to guide her daughter from beyond the grave. But Anna doesn’t want them. She doesn’t want the hand-me-down wisdom of a woman she can’t remember.
She wants to be angry. And then, in a twist that feels less like a plot device and more like a fever dream, she gets hit by a car.

When Anna wakes up, she’s not in a hospital. She’s in 2001, standing in her childhood home, watching her mother—very much alive—prepare for her birth. The film’s central gambit is time travel, but it’s not the kind that involves DeLoreans or paradoxes.
This is the quiet, aching kind, the kind that lets a daughter see the mother she lost not as a saint or a martyr, but as a woman. A woman who’s scared, who’s stubborn, who’s trying to cram a lifetime of love into a handful of wrapped boxes.
The real-life inspiration for 18 Presents is Elisa Girotto, an Italian woman who, after her diagnosis, spent her final months planning those eighteen gifts. The film doesn’t shy away from the rawness of that premise. There’s a scene early on where Elisa, pregnant and bald from chemotherapy, records a video message for her unborn child.
"A heartfelt, emotional drama that moves despite its slow pace and familiar premise."
The story of a mother’s love and sacrifice is moving and poignant. But the pacing is slow and the narrative structure predictable, which won't suit those seeking fast-paced or original storytelling.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
18 Presents (2020), directed by Francesco Amato, is a heartfelt Italian drama that blends grief, love, and the bittersweet power of memory. Starring Vittoria Puccini and Benedetta Porcaroli, the film tells the story of Elisa, a mother who leaves behind 18 gifts for her daughter Anna to open on each of her birthdays after her death. latestnetflix.com's read is that while the premise is fictional, the emotional weight of the story is deeply personal—both for the cast and the real-life inspiration behind it.
The film is loosely based on the true story of Elisa Girotto, a woman who prepared gifts for her daughter before passing away from cancer. Director Francesco Amato adapted the narrative, emphasizing the bond between mother and child rather than the tragedy itself. In interviews, Amato revealed that the project was a delicate balance of honoring the real family’s experience while crafting a cinematic story. "We wanted to focus on the love, not just the loss," he said in an exclusive interview. The real-life family of Elisa Girotto even met with the cast, adding an extra layer of authenticity to the performances.
Vittoria Puccini (Elisa) and Benedetta Porcaroli (Anna) deliver powerful performances, but their off-screen connection was just as crucial. The two actresses spent time together before filming to build trust, which translated into their on-screen mother-daughter dynamic. In a press conference, they discussed how the role affected them emotionally. "It was intense, but necessary," Puccini shared. "We had to live in that sadness to make it real". Porcaroli, who was younger at the time, admitted that the role was a challenge but also a privilege. "Playing Anna made me think about my own relationship with my mother in a new way".
Francesco Amato is known for his ability to blend drama with subtle humor, and 18 Presents is no exception. While the film is undeniably emotional, Amato ensured it didn’t feel like a relentless tearjerker. "I didn’t want the audience to leave the theater feeling crushed," he explained in an interview. "I wanted them to feel hope". The film’s 115-minute runtime allows for quiet, reflective moments, giving the story room to breathe.
The movie’s reception has been warm, with critics praising its sincerity. On SensCritique, it holds a 6.3/10 rating based on 157 votes, with many viewers highlighting the performances as the film’s strongest element. While not a blockbuster, 18 Presents has found its audience—those who appreciate a story about love, legacy, and the small gestures that define us.
Though the film didn’t make major waves at the box office, its impact on those who’ve seen it is undeniable. For the cast and crew, the project was more than just another movie—it was a chance to explore the fragility of life and the power of memory. As Puccini and Porcaroli put it, "This film is for anyone who’s ever loved someone they might lose".
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
More titles in the same genres and with the same cast.