
Matthieu Chedid
-M-

Activists around the world fight injustice and drive social change in this documentary that follows their participation in the music video "Solidarité."
I’ve watched a lot of documentaries about activism, and most of them follow the same script: a montage of protests, a charismatic leader, a triumphant crescendo. We Are One does something riskier. It doesn’t just show you the fight—it shows you the people holding the fight together when no one’s watching. And it does it with music.
Stéphane de Freitas, the director, has a knack for finding the poetry in collective effort. You might remember his 2016 documentary À voix haute, which followed French students competing in a public-speaking contest. That film was about the power of words; this one is about the power of presence.
Not the kind of presence that demands a stage, but the kind that lingers in a community kitchen, a graffiti-covered alley, a hospital waiting room. The kind that doesn’t always get a microphone.

The film orbits around Matthieu Chedid, the French musician better known as -M-, as he composes a song called "Solidarité." But this isn’t another We Are the World redux, where celebrities mug for the camera while the real work happens off-screen. Here, the musicians—Chedid, Fatoumata Diawara, Toumani Diabaté, Sidiki Diabaté—are almost secondary.
They’re the connective tissue, not the story. The real focus is on the activists: Mara, who runs a food bank in Paris; Panmela Castro, a Brazilian graffiti artist fighting domestic violence; Afaq, a Yemeni-American poet documenting anti-Muslim racism; Broulaye, an advocate for people with albinism in Mali; Tamara, who challenges anti-Asian prejudice in France. These are people who have spent years chipping away at systemic injustice, often with little recognition.
The film doesn’t just give them a platform—it hands them the mic and steps back.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Stéphane de Freitas’ We Are One (2020) isn’t just a movie—it’s a celebration of music as a universal language. The film brings together an eclectic mix of artists, from French pop-rock icon Matthieu Chedid (better known as -M-) to Malian kora legends Toumani Diabaté and his son Sidiki Diabaté, alongside Grammy-nominated singer Fatoumata Diawara. latestnetflix.com's read is that but how did this cross-continental collaboration come together, and what made it stand out in a crowded musical landscape?
De Freitas, known for his work on socially conscious projects, has a knack for blending art with activism. While the evidence doesn’t spell out his exact pitch for We Are One, the film’s premise—uniting artists across cultures—aligns with his past themes of connection and shared humanity. The trailer hints at a vibrant, performance-driven narrative, suggesting de Freitas aimed to capture not just the music but the process of creation itself. Whether the film looks at the artists’ personal stories or keeps the focus on their collective sound remains unclear, but the trailer’s energy suggests a dynamic, immersive experience.
The cast reads like a who’s who of global music:
The Rotten Tomatoes listing confirms these names, but the snippets don’t reveal how the artists were recruited or whether they worked together in person. Rumor (unconfirmed) suggests the film might have been shot across multiple locations, given the artists’ global reach. If true, the logistics of coordinating such a project would’ve been a feat in itself.
The trailer teases a mix of live performances and behind-the-scenes moments, but the evidence doesn’t clarify whether We Are One is a concert film, a documentary, or a hybrid. The lack of critical reviews or interviews in the snippets leaves key questions unanswered:
Without deeper sources, the film’s narrative structure remains a mystery. What is clear is the trailer’s emphasis on unity—suggesting de Freitas wanted the music to transcend borders, both geographically and stylistically.
The trailer’s presence on Netflix’s YouTube channel confirms the streaming giant distributed the film, but the snippets don’t reveal whether it was a Netflix original or a licensed acquisition. The platform’s global reach would’ve amplified We Are One’s message, but the evidence doesn’t specify release dates, viewership numbers, or audience reception. For now, the film’s impact is measured by its trailer’s vibe: a high-energy, visually rich ode to collaboration.
Coverage of We Are One is frustratingly thin. The evidence lacks:
Until more details emerge, We Are One remains a tantalizing "what if"—a film that could have been a groundbreaking musical experiment, but whose story is still waiting to be told.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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