
Omar Sy
Ousmane Diakhité

“Two cops. One case. No clue.”
Ousmane Diakité and François Monge are two cops with very different styles, backgrounds and careers. The unlikely pair are reunited once again for a new investigation that takes them across France. What seemed to be a simple drug deal turns out to be a much bigger criminal case wrapped in danger and unexpected comedy.
I’ve always had a soft spot for the odd-couple cop movie. There’s something irresistible about two people who shouldn’t work together but do—usually just well enough to stumble into solving a crime, and just badly enough to nearly get themselves killed in the process. The Takedown (or Loin du périph, if we’re being properly French about it) knows this formula inside and out, and for the first hour or so, it feels like it might actually do something interesting with it.
Then, like a car chase that takes a wrong turn into a dead-end alley, it loses its nerve. The result is a film that’s often entertaining, occasionally sharp, and ultimately too content to coast on charm rather than risk reinvention.
Louis Leterrier, the director behind The Transporter and Now You See Me, is no stranger to high-energy action-comedies, and The Takedown plays to his strengths: kinetic fight scenes, snappy editing, and a color palette that pops like a neon sign in a Parisian back alley. The film follows Ousmane Diakité (Omar Sy) and François Monge (Laurent Lafitte), two cops from wildly different worlds—one a street-smart, working-class Black officer from the banlieues, the other a posh, by-the-book white investigator from central Paris—who are forced to team up when a routine drug bust spirals into a sprawling criminal conspiracy.
Their dynamic is the film’s engine, and for a while, it purrs along nicely. Sy, with his effortless charisma and physical presence, is the kind of actor who can make even a throwaway line feel like a mic drop. Lafitte, meanwhile, plays Monge as a man who’s equal parts exasperating and endearing, a walking embodiment of the phrase “I went to Harvard, not the school of life.”

The early scenes crackle with the kind of verbal sparring that makes these pairings work. There’s a moment in a diner where Monge, ever the stickler for procedure, insists on reading a suspect his rights in painstaking detail, while Ousmane rolls his eyes so hard it’s a miracle they don’t get stuck. The camera lingers on Sy’s face just long enough to let us see the amusement playing beneath his frustration—a small but effective choice that sells the chemistry between them.
"A lighthearted action-comedy with charm but little depth or originality."
Energetic leads and a playful tone make it entertaining, though the plot is recycled and some humor falls flat. Some enjoy its breeziness; others find it too predictable.
Spoiler warning
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The Takedown (2022), known in France as Loin du périph, marked a bold swing for Netflix: a big-budget, star-driven action-comedy helmed by Louis Leterrier, the director behind The Transporter and Now You See Me. With Omar Sy and Laurent Lafitte leading the charge, the film promised a mix of high-octane stunts and buddy-cop humor. But behind the slick trailers and A-list casting, latestnetflix.com contends, the production had its share of challenges—and mixed reception.
Louis Leterrier, known for his dynamic visual style and knack for action, was an obvious choice to direct The Takedown. His filmography—spanning The Incredible Hulk (2008) and Clash of the Titans (2010)—suggested he could balance the film’s comedic and action elements. The French director’s approach to The Takedown leaned into his signature high-energy pacing, with trailers teasing car chases, explosive set pieces, and Sy and Lafitte’s chemistry.
Leterrier’s involvement also signaled Netflix’s ambition to compete in the action-comedy space, a genre dominated by franchises like Bad Boys and Lethal Weapon. The film’s French title, Loin du périph, hinted at its local flavor, but the English rebranding as The Takedown aimed for broader appeal.
Omar Sy, fresh off global acclaim for Lupin, and Laurent Lafitte, a French comedy veteran, were the film’s biggest selling points. Trailers showcased their contrasting personalities—Sy as the street-smart cop and Lafitte as the by-the-book elite officer—promising a classic odd-couple dynamic. Their chemistry was a focal point of Netflix’s marketing, with clips emphasizing their banter and physical comedy.
Supporting roles included Izïa Higelin as a key ally and Dimitri Storoge as a potential antagonist, rounding out a cast that blended action and humor. However, beyond the trailers, little was revealed about the actors’ off-screen dynamics or improvisations during filming.
Despite the hype, The Takedown landed with a thud for some critics. Reviews called it a "missed opportunity," with complaints about uneven pacing and a lack of originality. One YouTube review went so far as to question Netflix’s spending, framing the film as emblematic of the streamer’s financial struggles. Others, however, praised its energy and Sy’s charisma, suggesting it might find an audience among fans of lighthearted action.
The film’s 119-minute runtime and 4.4/10 rating on SensCritique (based on 2,668 votes) reflected its divisive reception. While not a flop, The Takedown failed to achieve the cultural impact of Sy’s Lupin or Leterrier’s Now You See Me franchise.
For all its publicity, The Takedown left key questions unanswered:
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