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Movie poster for Peddi (2026)

Peddi

“Hurt. Bruised. But not beaten.”

2026
3h 9m
NR · Telugu
Director: Buchi Babu Sana
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Overview

In a village that doesn't officially exist, a laborer's unmatched athletic talent becomes his weapon to fight for his people's right to be recognized.

Cast

12 people

Reviews

6 min read

The Body as Battleground

I’ve seen Peddi twice now, and both times I left the theater with the same uneasy feeling: this is a film that wants to be about dignity, but keeps tripping over its own feet. Buchi Babu Sana’s second feature is a sprawling, ambitious sports drama set in 1980s rural Andhra Pradesh, following Peddi (Ram Charan), a lower-caste athlete whose body becomes both his weapon and his wound.

The film spans three sports—cricket, kushti (traditional wrestling), and para track sprinting—each marking a different chapter in Peddi’s fight for recognition, both personal and political. It’s a story about the body as a site of labor, spectacle, and ultimately, liberation. And yet, for all its grand intentions, Peddi often feels like a film at war with itself, particularly in how it frames the bodies of its characters—especially the women.

A wide shot of Peddi mid-wrestling match, his body caked in mud and sweat, the crowd blurred in the background

The first time I watched Peddi, I was struck by how viscerally the film renders the physicality of its protagonist. Ram Charan’s performance is nothing short of transformative. He doesn’t just play Peddi; he inhabits him, from the way he carries himself in the wrestling pit to the way his body sags under the weight of exhaustion and injury.

There’s a moment early in the film where Peddi, a young aata coolie (rice laborer), is seen hauling sacks of grain under the scorching sun. The camera lingers on his back, the muscles straining, the sweat dripping down his spine. It’s a quiet, almost documentary-like shot, and it does more to establish Peddi’s world than any exposition could.

This is a man whose body is his livelihood, his identity, and eventually, his salvation. Charan’s physicality is so convincing that when Peddi later transitions into para-athletics after a leg injury, you believe it. You feel the frustration of a man who has spent his life defining himself through his strength, only to have it taken away.

The film’s most powerful sequences are the ones that treat Peddi’s body with this kind of reverence. The kushti matches, in particular, are shot with a raw, almost tactile intensity. Rathnavelu’s cinematography captures the grit and grime of the wrestling pit, the way the mud clings to Peddi’s skin, the way his breath comes in ragged gasps.

These scenes are where Peddi feels most alive, most urgent. They’re also where the film’s themes—about caste, labor, and the dehumanizing gaze of the privileged—come into sharpest focus. When Peddi’s upper-caste opponents refuse to touch him, or when they mock his village’s name, the film doesn’t just tell us about marginalization; it shows us, through the way Peddi’s body is policed, controlled, and ultimately, reclaimed.

But here’s the problem: Peddi doesn’t extend that same care to all of its characters. Take Achiyamma (Janhvi Kapoor), Peddi’s love interest. The film introduces her as a fiery, independent woman—a privileged but street-smart figure who challenges Peddi’s worldview.

Audience Opinions

Audience 7.2/10
"A high-energy sports drama with strong performances but uneven pacing and familiar tropes."

The film has real emotional depth, and Ram Charan and Janhvi Kapoor give compelling performances with chemistry that lends the story authenticity. The runtime is excessive, though, and the pacing problems and reliance on well-worn sports-movie clichés dilute its impact.

What viewers praise
  • Strong lead performances Ram Charan and Janhvi Kapoor deliver emotional performances that anchor the film.
  • Engaging sports sequences The action and sports scenes are well-choreographed and visually dynamic.
  • Emotional depth The drama lands, especially in its personal struggles and triumphs.
  • Supporting cast highlights Shiva Rajkumar and Boman Irani stand out and add layers to the story.
Common complaints
  • Overlong runtime At 176 minutes it runs long, and pacing problems drag down the second half.
  • Predictable plot The story follows familiar sports-drama tropes with few surprises.
  • Underdeveloped side characters Some supporting roles, like those of Divyendu Sharma and Ravi Kishan, are underused or one-dimensional.
  • Inconsistent tone Shifts between drama, action and romance occasionally clash and disrupt the flow.
Recommended for
Sports drama fans Ram Charan fans Janhvi Kapoor admirers Underdog story lovers Indian cinema buffs High-energy action seekers

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

PEDDI PANIC: Leaked Chats, Sister Switches & A Kiss That Shook the Country

Peddi may be a sports drama on screen, but off screen it’s been a full-blown soap opera: leaked chats, sister-versus-sister casting drama, a force‑kiss scandal, mid‑run re‑edits, latestnetflix.com argues, and a fan literally charging the stage at a promo event. Grab some chai; this is going to be messy.


On‑Set Drama & Leaked Receipts

The “no b**b, no waist shots” messages that broke the internet

Alleged WhatsApp chats, shared by fan pages, claimed Janhvi Kapoor pleaded with the team not to shoot her in hyper‑sexualised angles for Peddi. One viral screenshot shows her saying: *“I told him no b**b and waist shots. And Ram sir is so sweet he also yelled at him and said you will not take such angles of her ever again. So he got upset.”*

  • These chats allegedly describe Ram Charan stepping in on set and scolding someone from the team for trying to shoot “those” angles of Janhvi.
  • Another supposed line from Janhvi? A dramatic: “No more film. We are done.” hinting at just how tense things got behind the scenes.
  • Important: the screenshots are unverified, but they’ve fueled half the discourse around Peddi.

“It keeps happening in the South”

In the same alleged chats, Janhvi is said to complain that this kind of objectifying camera work “keeps happening in the south,” even comparing her situation to Kiara Advani’s in Game Changer, but insisting her own shots were “worse”—until “Ram sir said no way, stop.” Fans took this as a peek into an ugly pattern: glamorous heroines fighting the male gaze with very little backup—except, apparently, from Ram Charan.

Director vs. Edits: creative clash in the cutting room

Multiple reports say director Buchi Babu Sana later admitted that some shots “turned misleading” and apologized publicly, vowing to alter or delete them after backlash over Janhvi’s portrayal. Translation: whatever happened in those alleged chats, the final cut still kept enough of the problematic material to blow up into a nationwide debate.


Scandals & Controversies: The “Objectification” Firestorm

The kiss that turned a blockbuster into a battleground

The most infamous scene: Peddi (Ram Charan) follows Achiyyamma (Janhvi) home, there’s a power cut, and he forcefully kisses her without consent while she cries—yet it’s played with romantic A.R. Rahman BGM swelling in the background.

  • Critics and viewers shredded the film for normalising sexual assault under the label of “romance” and turning a sobbing woman into a love interest beat.
  • Another sequence, where goons try to publicly disrobe Achiyyamma until Peddi rescues her, added to accusations that the film fetishises violence against women in the name of “mass” drama.

“The most expensive disrespect to a leading woman”

Social media dubbed Peddi “the most expensive disrespect to a leading woman in Indian cinema,” accusing the film of zooming in on Janhvi’s body parts, framing stalking as flirting, and glorifying a hero who is essentially a “sexual offender” in fan rants.

Industry clapback: everyone has an opinion

The backlash got so big that it dragged half of Bollywood and Tollywood into the conversation:

  • Jaya Bachchan recalled her own experience of being objectified by a director she’s avoided ever since.
  • Kareena Kapoor Khan argued cinema can be sensual without reducing women to body parts.
  • Sona Mohapatra blasted mainstream films for centering toxic heroes while heroines are just “decoration.”
  • Nithya Menen called it an industry‑wide problem and urged actors to set harder boundaries.
  • Jagapathi Babu and Dimple Hayathi publicly defended Janhvi, saying actors trust directors and shouldn’t carry the blame alone.

Director’s public apology & face‑saving spin

Buchi Babu Sana posted an apology saying cinema should “never make anyone feel uncomfortable or disrespected,” insisting he never intended to insult women. He later admitted the trailer itself was “too much” and had “backfired,” claiming the cut misrepresented the film and contributed to the outrage.


Leaks & “Re‑Censored” Cuts: The Movie That Wouldn’t Sit Still

Scenes deleted, then added back, then teased for OTT

Under pressure, the team quietly trimmed and removed some of the most controversial bits involving Achiyyamma in the first days of release—particularly the forced‑kiss sequence and hypersexualising shots.

  • Within two weeks, they announced almost 6 minutes of new footage (5 minutes 56 seconds, to be precise) would be added back into theatres, including two new Janhvi scenes and one with Jagapathi Babu, plus a Pelli Choopulu (matchmaking) scene and a market scene to make Achiyyamma’s arc more “emotional” and less one‑note.
  • Fans who rewatched confirmed: the notorious non‑consensual kiss was removed from the updated theatrical cut, along with some of the racy shots.
  • Gossip Instagram accounts then claimed all deleted scenes, including controversial romance bits, could show up in an OTT extended version on Netflix—sparking a new round of outrage and curiosity.

Makeup artist vs. Final cut: boundaries allegedly ignored

Janhvi’s makeup artist Savleen Kaur Manchanda reposted a slide saying Janhvi had objected in post‑production to certain shots and tried to set boundaries, but those shots “remained in the film” anyway.

  • NDTV quoted the artist saying it’s “easy to blame the actress,” stressing that Janhvi did push back but creative control lay elsewhere.
  • This backed up the narrative of the leaked chats: Janhvi wasn’t quietly complicit; she allegedly fought it and lost.

Casting Chaos & Sister Rivalry

Khushi vs Janhvi: the awkward living‑room rejection

In a deliciously messy bit of candor, Buchi Babu Sana admitted he first narrated Peddi to Khushi Kapoor—and then dumped her for her older sister.

  • He says that after meeting Khushi in person, he decided she was “too young” for the role of Achiyyamma.
  • Then, in the same house, he told Khushi hi, turned to Janhvi and basically said, “I don’t want you in the film, I want your sister.” His own words: “I looked at Khushi, told her hi, and said, I don’t want you in the film, I want your sister. But such things need to be done for cinema.”
  • The role went to Janhvi, with the director saying he always felt it would “suit Janhvi” more.

On Reddit, fans “appreciated Khushi for rejecting Peddi,” speculating she may have dodged a bullet given how the female lead turned out. That twist is fan interpretation, not fact—but it adds to the sense of Kapoor‑household awkwardness.


Cast Feuds, Fan Attacks & Event Chaos

Security scare: fan rushes Ram Charan, Janhvi flinches

At a Peddi promotional event in Vijayawada, a fan breached security and sprinted towards Ram Charan in front of a massive crowd.

  • Ram’s bodyguard—an MMA fighter named Kevin Kunta—and security teams swarmed the fan, who was dragged away as Janhvi visibly flinched and looked genuinely startled.
  • In a softer twist, another clip shows the fan later being allowed to meet Ram Charan properly, touching his feet and thanking him before leaving.
  • The moment went viral, with fans debating event security and sharing slow‑mo edits of Janhvi’s shocked reaction.

“Zero chemistry” vs. Shipper edits

While Ram–Janhvi fan edits flooded TikTok and Instagram, many X (Twitter) users savaged their dynamic. One trending review bluntly declared: “There’s zero chemistry between Ram Charan and Janhvi Kapoor in Peddi. Buchi Babu Sana genuinely wrote scenes that lean into harassment…”

  • So while the PR machine hyped their “dream pairing,” audiences were busy asking why a forced kiss with crying heroine ever left the writers’ room.

Romance Rumors & Real‑Life Love Lives

Janhvi & Shikhar: wedding whispers vs. Peddi storm

As Peddi controversies exploded, Janhvi’s real‑world romance with businessman Shikhar Pahariya was running its own gossip marathon. - Before release, Threads and Insta chatter speculated about a Jamnagar wedding in 2026, which Boney Kapoor firmly denied.

  • Shikhar publicly hyped the Peddi trailer, calling Janhvi a “lady don” and showering her with support.
  • In July 2026, breakup rumors flared again—until Republic reported that an inside photo from Anshula Kapoor’s wedding festivities, plus Janhvi’s own posts, effectively shut down the split buzz.

None of this ties her romantically to Ram Charan—he’s happily married to Upasana—but it did mean Janhvi was living through a film scandal and marriage rumor cycle simultaneously.

Upasana cheering from the stands

Far from any off‑screen love triangle, Ram Charan’s wife Upasana turned full fangirl at a Peddi screening, whistling and throwing papers during his mass entry; videos of her “mass hero wife” energy went viral. If there were whispers about uncomfortable romantic scenes on screen, his real‑life support system looked rock solid.


Wild Trivia & Oddball Moments

The “realest” shot was a mistake

Amid all the discourse about manufactured romance, Janhvi pointed out that the most authentic moment between her and Ram Charan in Peddi wasn’t scripted at all. - In the Hellallallo song, there’s a beat where she stops mid‑step and just stares at Ram Charan like she can’t believe his energy. She later revealed it was an unplanned reaction—she got genuinely awestruck, blurted “oh my god, what are you doing?” with her eyes, and the team loved it so much they kept it in.

Box‑office beast, controversy and all

Even as think‑pieces eviscerated its portrayal of consent, trade reports had Peddi marching past the \₹300–400 crore worldwide mark within weeks, meaning the outrage did not stop audiences from turning up. Cue endless online debates about whether commercial success excuses regressive content.


Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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