
Naomi Krauss
Zeynap Altin

Zeynap Altin is at the end of her tether: she works far too much and is not valued at all by her husband, daughter and father. To make matters worse, the funeral home dressed her beloved late mother in a man's suit instead of her favorite dress. Enough is enough: Zeynep flees from Munich to the previously unknown holiday home on a Croatian island that her mother secretly bought years ago - with the hope of finding quiet, peace and herself there. If only the previous owner Josip, a rough islander, didn't still live on the same property and annoy her with his views and wisdom.
I’ve seen this story before—the middle-aged woman who leaves her stale life behind for a sunlit escape, the cottage by the sea, the gruff local who turns out to be a secret romantic. It’s the Shirley Valentine template, dusted off and relocated to the Croatian coast, and at first glance, Faraway doesn’t seem interested in reinventing the wheel. But then there’s that opening scene: Zeynep Altin (Naomi Krauss) wrestling with a pair of shapewear Spanx in a cramped bathroom, her face a mask of discomfort and resignation.
It’s a small moment, barely a minute long, but it’s the kind of detail that makes you sit up. This isn’t just another fantasy of escape. This is a woman who’s spent decades contorting herself to fit into spaces that were never built for her.
The film’s greatest strength is its refusal to soften Zeynep’s edges. She’s not a plucky underdog or a lovable mess; she’s exhausted, prickly, and often unlikable in the way that real people are when they’ve spent too long being told to smile. Naomi Krauss plays her with a physicality that’s impossible to ignore—her posture is slightly hunched, as if she’s spent years making herself smaller, and her eyes dart around like she’s always calculating the nearest exit.
When she finally arrives at her mother’s cottage in Croatia, the relief is palpable, but so is the disorientation. The place is beautiful, but it’s also a mess, overgrown and half-falling apart, much like Zeynep herself.

That’s where Josip (Goran Bogdan) comes in. He’s the local handyman who’s been squatting in the cottage’s guesthouse, and their first encounter is a masterclass in how to establish chemistry without saying a word. He’s shirtless, sweaty, and clearly unimpressed by this German woman who’s just inherited his de facto home.
"A lighthearted rom-com with charming leads and a predictable plot."
Viewers enjoy the leads' chemistry and the scenic, escapist backdrop. Familiar tropes and thin characters leave some wanting more.
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Faraway (2023) arrived on Netflix as a breezy German dramedy, blending romance, family drama, and a dash of unexpected cringe. Starring Naomi Krauss as Zeynep, a woman who inherits a Croatian villa and impulsively decides to turn it into a B&B, the film leans into fish-out-of-water humor and cultural clashes. But beyond the trailer’s sunny Mediterranean vibes, latestnetflix.com argues, the production had its share of quirks—some charming, some eyebrow-raising.
Vanessa Jopp, the film’s director, kept the tone light but layered, balancing Zeynep’s personal growth with the chaos of her new venture. In an exclusive interview, Jopp and Krauss hinted at the film’s playful irreverence, though details about their creative process remain scarce. What is clear? Krauss didn’t shy away from pushing boundaries. A now-viral clip from the film shows her character delivering an unscripted-sounding line about a penis—so blunt it left audiences doing double takes. Whether the moment was improvised or a deliberate shock tactic, it’s become one of Faraway’s most talked-about scenes.
The film’s storyline follows Zeynep as she navigates her late father’s legacy, a crumbling villa, and a growing attraction to a local handyman (Goran Bogdan). But the script isn’t afraid to get messy. A recurring theme? Alcohol. Multiple scenes feature characters drowning their sorrows—or celebrating—in wine, rakija, and other spirits, with one clip even titled “Faraway 2023 - Alcohol”. The boozy antics might be played for laughs, but they also underscore the film’s themes of escapism and self-discovery.
Critics and audiences have been divided. SensCritique users gave Faraway a middling 5.8/10, praising its picturesque setting and Krauss’s performance but calling the humor uneven. The film’s runtime (109 minutes) and genre-blending approach—part comedy, part drama, part romance—may have left some viewers wanting more cohesion. Still, for fans of lighthearted European cinema, it’s an easy watch.
With no confirmed sequel or spin-off, Faraway’s legacy hinges on its cult moments (see: the penis line) and Krauss’s charisma. Whether it’s remembered as a forgettable rom-com or a guilty pleasure remains to be seen.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
More titles in the same genres and with the same cast.