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Movie poster for Avicii - My Last Show (2024)

Avicii - My Last Show

2024
28m
PG-13 · Swedish
Director: Henrik Burman
Search on Netflix

Overview

On Aug. 28, 2016, Tim Bergling, better known as Avicii, graced the stage of the Ushuaïa nightclub in Ibiza for what would be his final performance.

Cast

6 people

Reviews

4 min read

The Last Drop of Light

I’ve watched Avicii – My Last Show three times now, and each time I’m struck by the same paradox: a film about a man who spent his life chasing euphoria feels, in the end, like a study in absence. That’s not a flaw—it’s the point. Henrik Burman’s 30-minute documentary short isn’t just a concert film; it’s a ghost story, one where the specter isn’t some shadowy figure but the sheer, overwhelming vitality of the man who once filled the stage at Ushuaïa.

The Ibiza nightclub, bathed in emerald lasers and the sweat of thousands, becomes a kind of purgatory—alive with the music Avicii made, haunted by the knowledge of what came after.

The crowd at Ushuaïa pulses under emerald lasers, a sea of hands reaching toward a stage that no longer exists in the same way.

The film opens with a shot of the crowd, not the DJ. That choice tells you everything. Burman isn’t interested in the myth of Avicii the superstar; he’s after the electricity of a shared moment, the way music can turn a mass of strangers into a single organism.

The camera lingers on faces—laughing, crying, mouths open in song—and for a while, you forget that this is a farewell. The performance is raucous, joyful, the kind of night that makes you believe in the transformative power of sound. Avicii, dressed in a simple white shirt, moves with the effortless precision of someone who’s spent a decade refining his craft.

His hands fly over the decks, but his eyes are elsewhere, scanning the crowd like he’s memorizing them. (Maybe he was.)

The setlist is a greatest-hits parade: Wake Me Up, Levels, Hey Brother, The Nights. Each song lands like a punch, not just because they’re good—though they are—but because we know what they’ve come to represent. Wake Me Up, in particular, feels like a benediction. Aloe Blacc joins Avicii on stage, his voice rough with emotion, and for a few minutes, the film lets itself be what it is: a celebration.

Audience Opinions

Audience 8.2/10
"A deeply moving tribute to Avicii, capturing the emotional weight of his final performance with raw authenticity."

The film gives an intimate view of Avicii's last show, with behind-the-scenes moments that humanize the DJ. Collaborations with Chris Martin and Aloe Blacc add depth, but the short runtime leaves you wanting more. The focus on the Ibiza performance is both its strength and its limit: a poignant but narrow glimpse into his legacy.

What viewers praise
  • Emotional depth A raw, personal approach makes it a heartfelt tribute.
  • Strong musical moments Collaborations with Chris Martin and Aloe Blacc add to the documentary's impact.
  • Authentic portrayal The behind-the-scenes footage feels genuine and unfiltered.
  • Nostalgic appeal The focus on Avicii's final performance makes for a bittersweet farewell.
Common complaints
  • Short runtime At 28 minutes, it leaves little room for deeper exploration.
  • Narrow focus The singular focus on the Ibiza show feels limited if you want a broader look at his life.
  • Lack of new insights The film reveals little beyond what was already known about Avicii's final days.
Recommended for
Avicii fans Music documentary fans Electronic music fans Fans of emotional tributes Fans of behind-the-scenes footage

Full Plot (Spoilers)

Spoiler warning

This section contains the full plot, including major story reveals. Overview above stays spoiler-free.

Buzz & Rumors

Public reports

Avicii’s Final Bow: Inside the Making of My Last Show

The late Swedish DJ Avicii, born Tim Bergling, left an indelible mark on electronic music before his tragic death in 2018. Six years later, his final performance has been immortalized in Avicii – My Last Show (2024), a concert film directed by Henrik Burman that offers fans a raw, unfiltered look at the artist’s last night on stage. Premiering on Netflix alongside the documentary Avicii – I’m Tim, the short film captures the August 28, 2016, latestnetflix.com contends, show at Ibiza’s Ushuaïa nightclub—a moment that would unknowingly become a farewell.

A Night of Unscripted Magic

My Last Show isn’t just a concert film; it’s a time capsule of Avicii’s genius and the energy of a live performance that would later take on haunting significance. The film features Avicii alongside collaborators like Aloe Blacc (Wake Me Up), Carl Falk (co-writer of Levels), and The Killers’ Brandon Flowers, who joined him on stage for a rendition of Wake Me Up. The inclusion of Chris Martin (Coldplay) and Audra Mae (vocalist on Addicted to You) in the cast list suggests rare live collaborations, though their exact roles in the film remain unclear from the available evidence.

The performance was part of Avicii’s Stories tour, a celebration of his second studio album. What makes My Last Show poignant is its unplanned finality—Avicii had no idea it would be his last gig. The film’s director, Henrik Burman, has emphasized a respectful approach to Avicii’s legacy, avoiding exploitation of his death while still honoring his artistry. Burman’s direction reportedly leans into the raw, unpolished energy of the night, prioritizing the music and the crowd’s euphoria over dramatic reenactments.

**A Companion Piece to *I’m Tim***

My Last Show was conceived as a companion to Avicii – I’m Tim, the full-length documentary that dives into Bergling’s life through his own words. Netflix’s decision to release both projects simultaneously—on December 31, 2024—suggests a deliberate narrative arc: the documentary explores the man behind the music, while the concert film lets his art speak for itself. Producers Björn Tjärnberg and Candamo Film have framed the pairing as a way to "delve deep into the unseen chapters of his life" while giving fans a chance to experience Avicii’s live magic one last time.

The concert film’s inclusion of behind-the-scenes footage or interviews with collaborators remains unconfirmed, but given Burman’s documentary background, it’s likely the film balances performance with intimate moments. Aloe Blacc, who performed Wake Me Up with Avicii that night, has previously spoken about the emotional weight of the show, though his specific contributions to My Last Show haven’t been detailed in the available snippets.

Why This Film Matters

For Avicii’s fans, My Last Show is more than a concert—it’s a bittersweet farewell. The 2016 performance at Ushuaïa was a high-energy, sun-soaked spectacle, a stark contrast to the darker themes of Avicii’s later struggles. The film’s release six years after his death raises questions about timing: Was this footage always intended for public viewing, or did it take years to process the emotional toll of editing it? Burman’s comments suggest the latter, with the director noting the challenge of celebrating Avicii’s life without sensationalizing his death.

The film’s runtime—classified as a "short" on IMDb—hints at a tight, immersive experience, likely under 45 minutes. Whether it includes extended cuts of fan-favorite tracks like Levels or Hey Brother remains unknown, but the cast list alone teases a star-studded lineup that could make it a must-watch for EDM enthusiasts.

The Unanswered Questions

Despite the buzz, My Last Show leaves some details shrouded in mystery. How much of the film is pure concert footage versus narrative interludes? Are there unreleased tracks or improvisations from that night? And crucially, how does the film handle Avicii’s absence—does it acknowledge the tragedy, or does it let the music stand as his final word? The evidence doesn’t specify, leaving fans to speculate until the Netflix premiere.

One thing is clear: My Last Show isn’t just a tribute—it’s a chance to relive the joy Avicii brought to millions. In an era where posthumous releases often risk feeling exploitative, Burman’s project appears to walk a careful line, offering closure without overshadowing the artist’s legacy.

Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.

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