Rajkummar Rao
Ramakant

Murder and chaos erupt when a miser becomes obsessed with a toaster he gave as a wedding gift.
I did not expect to care about a kitchen appliance. Not when it starts as a wedding gift so cheap it feels like an insult, then becomes the excuse for a crime spree that plays like a fever. The 2026 film Toaster opens as a dark comedy about stinginess.
Every rupee gets pinched until it screams. For a while it almost works. Almost.
Rajkummar Rao plays Kanjoos, a man so miserly he would rather starve than spend on a decent wedding gift. His solution? A toaster.
Not any toaster. One that costs ₹5,000, a price that haunts him like a bad debt. When the newlyweds return it, the obsession curdles.
The toaster becomes a symbol, then a weapon. Its slots gape like a mouth that will not stop asking.

The first act is the sharpest stretch. Rao and Sanya Malhotra, as his wife Shilpa, have the chemistry of people who have been resenting each other for years and still share the jokes. Their scenes keep the absurdity on the ground.
Early on, Kanjoos is mid-rant about the cost of butter and hands Shilpa a single slice of bread. No toaster. No butter.
Just the bread. She looks at it, then at him. The face she makes is quiet exasperation.
You laugh, then you wince, because you have seen that marriage. I have. My uncle once tried to return a half-used bottle of shampoo to a wedding.
The bride's mother still brings it up.
"A clever dark-comedy idea that starts brisk and funny but collapses into an awkward, unfocused thriller that wastes its cast."
The early stretch earns laughs from the miserly hero, sharp little gags and a fun dynamic between the leads, making the quirky toaster premise feel like a fresh comedy hook. Once the story veers into darker territory, the writing leans on gross, uncomfortable antics and scattered subplots, with a much-derided older-woman track and a muddled finale draining goodwill. Strong actors, a few memorable scenes and some kanjoos humor keep it watchable for a casual one-time viewing, but the overall impression skews underwhelming.
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A miser, a toaster and a murder make for a wild Netflix night — but the chaos behind Toaster is almost as juicy as what’s on screen. From a quiet casting shakeup to a painful on-set injury and a producer who walked away from the camera, this black comedy thriller had plenty happening when they yelled “cut!”
In short: people may have come for the absurd premise and Rajkummar’s comic timing, but behind the scenes Toaster was powered by a risky casting shuffle, a producer learning on the job, a lead actress working through an injury, and a circle of friends who turned a one‑page idea into a global hit.
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