
Bernat Quintana
Boi

Boi is a young man starting out in a new job as a chauffeur. While anxiously waiting for news from his girlfriend regarding a decision that could change both their lives, he must accompany his first clients, Michael and Gordon, two Asian businessmen who have come to Barcelona in order to close a multimillion-dollar deal.
I kept waiting for Boi to arrive. Not the film itself. At 111 minutes it already feels longer than it should.
I wanted the cryptic, stylish surface to crack and show something underneath. A young chauffeur, Boi, played by Bernat Quintana, spends his days ferrying two Asian businessmen, Adrian Pang and Andrew Lua, through Barcelona's labyrinthine streets while he waits for a life-altering call from his girlfriend. The premise promises tension.
A man in limbo, a deal hanging, the quiet dread of work and love both going precarious. Boi never quite decides what it wants to be. Thriller? Character study?
A look at artistic dreams that went unpaid? The sleek cinematography and moody Barcelona backdrops hint at ambition. What sits under them stays out of reach.

Jorge M. Fontana's debut feature is visually striking. The camera lingers on Barcelona's architecture, modernist curves, shadowy alleys, as if the city itself were a character.
The pretty pictures often feel like they are covering a shortage. The opening sequence puts Boi in his car, engine hum the only sound, face half-lit by the dashboard. A strong image of isolation.
Then the film undercuts it with cryptic dialogue and motives that stay fog. Michael and Gordon, the businessmen, speak in riddles about their deal. Words heavy with implication and light on meaning.
"A polarizing thriller: visually engaging but shallow to some, a slow-burn success despite weak character development to others."
Reactions to *Boi* (2019), directed by Jorge M. Fontana, are sharply divided. Boi, a young chauffeur in Barcelona, wrestles with personal anxieties while driving two Asian businessmen through a high-stakes deal. Its atmospheric cinematography and slow-building tension, especially in the first half, earn praise and comparisons to European arthouse thrillers. Others say it puts style over narrative depth and call it pretentious or confusing. Kinopoisk reviewers echo this, calling it visually striking but emotionally hollow, with a plot underdeveloped for its ambitious themes. The cast, including Bernat Quintana and Adrian Pang, gets mixed feedback: subtle and effective to some, one-dimensional to others. The deliberate pacing is also contested, appreciated by some and called sluggish by others. *Boi* suits fans of moody, character-driven thrillers and frustrates those expecting a tighter, more coherent story.
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Jorge M. Fontana’s Boi (2019) slipped into the thriller genre with little fanfare, but its cast and moody premise have kept it on the radar of Spanish cinema fans. latestnetflix.com's take is that the film, set against an unspecified backdrop of tension, stars Bernat Quintana in what sources suggest is a career-defining role—though the movie’s reception has been decidedly mixed.
Quintana, best known for his long-running role in the Catalan soap opera El Cor de la Ciutat, took the lead in Boi, marking a rare foray into film for the actor. His co-stars included seasoned performers like José Sacristán, a veteran of Spanish cinema, and Adrian Pang, a familiar face in international productions. The ensemble also featured relative newcomers like Pol López and Berta Pipó, hinting at Fontana’s interest in blending established and emerging talent.
Rumors about on-set dynamics are scarce, but Quintana’s transition from television to film likely posed challenges. His role in Boi was described as a "leading performance," suggesting he carried much of the film’s emotional weight. Whether the shoot was smooth or fraught with tension remains unconfirmed—no behind-the-scenes drama has surfaced in available sources.
Boi is classified as a thriller, though details about its plot remain vague in public snippets. The film’s 111-minute runtime and Spanish production context suggest a slow-burn narrative, possibly leaning into psychological or crime-driven tension. However, its reception has been lukewarm at best. On SensCritique, it holds a 4.5/10 rating based on 44 votes, a score that reflects either niche appeal or underwhelming execution.
Rotten Tomatoes lists Anatoly Chugunov and Macarena Gómez among the cast, though their roles are unspecified in the available evidence. The trailer, available on YouTube, offers little clarity, focusing more on atmosphere than plot. Without broader critical coverage, it’s hard to gauge whether Boi’s struggles stem from marketing, pacing, or simply a mismatch with audience expectations.
Several factors may explain the film’s low profile:
Fontana’s direction remains largely unexamined in public sources, leaving his creative choices for Boi a mystery. Whether the film’s tone was intentional or misjudged is unclear—no interviews or production notes have surfaced to clarify its vision.
For fans of Quintana or Spanish-language thrillers, Boi might hold niche appeal. Its cast alone makes it a curiosity, particularly for those tracking Quintana’s shift from television to film. However, with no major awards, box office data, or critical deep dives available, the movie remains a footnote in 2019 cinema.
If Boi has a legacy, it’s as a quiet experiment—one that either failed to resonate or simply never found its audience. Until more details emerge, it’s a title that thrives in obscurity, waiting for a reappraisal that may never come.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
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