
Laura Londoño
Silvia

A seemingly perfect household unravels when an unexpected visitor arrives, exposing hidden tensions and political aspirations that threaten to tear the family apart.
I kept waiting for the moment when The Guest would tip its hand—when the polite smiles would crack, the wine glasses would shatter, and the whole carefully constructed façade would collapse into something raw and real. It never quite happened. Instead, the series lingers in that unsettling limbo between civility and chaos, where every conversation feels like a negotiation and every glance carries the weight of a threat.
That’s not a failure, exactly. It’s a choice. And like most choices in this household, it’s one that leaves you wondering who’s really in control.
The premise is deceptively simple: a wealthy Bogotá family, the Herreras, take in a young woman named Valeria (Laura Londoño) as a live-in assistant, only to discover she’s not who she claims to be. What follows isn’t so much a thriller as a slow unraveling of manners, where the real violence isn’t in the occasional outburst but in the way people refuse to say what they mean. The Herreras—led by matriarch Sofía (Carmen Villalobos) and her ambitious husband, Daniel (Jason Day)—are the kind of people who treat politeness like armor.
Valeria, meanwhile, is either a con artist or a woman with nothing left to lose, depending on which episode you’re watching. The tension between them isn’t just about class or deception; it’s about the exhausting performance of being someone you’re not.

What makes The Guest compelling isn’t the plot—though there are enough twists to keep you guessing—but the way it uses domestic spaces to amplify unease. The Herrera home is all sleek surfaces and warm lighting, a place where every object seems curated to project success. But the camera lingers on the cracks: the way Valeria’s fingers tremble when she pours coffee, the split-second hesitation before Sofía touches her husband’s arm.
"Early buzz highlights strong performances and a gripping premise, but audience reactions remain limited ahead of wider release."
Viewers who have accessed early screenings or promotional material praise the series' atmospheric tension and the lead performances, particularly Laura Londoño and Carmen Villalobos, for bringing depth to its dramatic narrative. However, feedback is sparse, with few detailed discussions available, leaving the overall reception unclear. latestnetflix.com's read is that Some note the series' potential to stand out in the crime-drama genre but caution that its success may hinge on execution in later episodes.
When The Guest hit screens in 2025, it promised toxic friendships, class warfare and a body or two. latestnetflix.com's take is that what nobody quite expected was the real-life chaos it would unleash: furious viewers, wild fan theories, lesbian-ship hysteria, and a leading duo so close they basically moved into the same emotional bubble.Grab your metaphorical wine glass – we’re going in.
Behind the scenes of the BBC’s The Guest, Eve Myles (Fran) and Gabrielle Creevy (Ria) weren’t just playing an obsessive duo – they were living inside what Eve calls a “massive bubble” together. She describes their connection as an “intense, intoxicating, mesmeric, tunnelled relationship” and says it was like “a chemistry set that came together and blew up,” with the two women sharing “strengths and weaknesses” and “vulnerabilities” every day on set . Translation: the central relationship was so intense that the actresses basically quarantined from reality to play it.
Eve says she and Gabrielle worked in an environment of total openness where they were “able to do what we wanted instinctively,” with a shared vow that the floor was safe for whatever madness the scene needed . That emotional trust is almost suspiciously wholesome, considering the show’s body count.
Eve revealed she got the The Guest scripts the same night she was supposed to be getting ready to take her daughters to a Taylor Swift concert – and instead found herself devouring three episodes in one sitting, hooked by how it kept “taking my hand and letting it go” with every twist . When your thriller temporarily outranks Taylor in a mum’s priorities, you know it slaps.
Showrunner Matthew Barry admitted that some of the “class gulf” awkwardness came straight from his own experiences – including Ria being intimidated by Fran coolly eating with chopsticks. He confessed he once had to look up YouTube tutorials on how to use them, then basically gave that micro-humiliation to his lead character . Painful? Yes. Effective TV? Also yes.
The drama didn’t end with the scripts. British viewers practically rioted on social media during the BBC run.
Daily Mail rounded up furious X (Twitter) reactions from viewers who branded the series “utter tosh” and “am dram at best.” One particularly offended viewer fumed: “What utter tosh passes for drama on the BBC! Wasted an hour on The Guest – am dram at best.” Another concluded: “What a mess of a storyline. Utter garbage ending. Can't believe I wasted 4 hours of my life watching that!” But the haters didn’t get the last word. Others on X were delighted by how deranged it all was, with one fan calling it “the most unhinged show this side of Christmas… Completely loved it. Great characters and funny one-liners.” Another raved: “Oh. My. GOD! #TheGuest is fun, twisty, flirty, thrilling! Eve Myles & Gabrielle Creevy are perfect in this… Loved, loved it, loved it” . Verdict: Britain was deeply split between “trash TV” and “camp masterpiece.”
One of the earliest flashpoints for audience rage? Fran hiring Ria after seeing her steal from a supermarket donation basket. X users tore into the premise. One asked: “#TheGuest if the only thing you know about someone is that they steal from donated food wouldn't you think twice about giving them the run of your house?” Others dismissed the whole setup as an “utter b******* premise” . The Express even ran a headline about the show being “inundated with complaints” as fans insisted the basic logic just didn’t track .
The first episode’s climax – in which Ria accidentally kills a guy she’s been secretly seeing in Fran’s house while feeding the cat – left some viewers thrilled and others rolling their eyes. One critic quoted by tabloids said you have to “suspend any thoughts of reality then game on!!” if you want to enjoy it . Meanwhile on Reddit, fans ranted months later about unresolved details, including the show never properly clarifying who was lurking in the guest house, a loose thread that still annoys completionists .
If you thought the on-screen plotting was twisty, you should see what the fans came up with.
After Ria seemingly sends on-off lover Mike flying to his doom over a bannister, fans on X went forensic. One complained: “The part where Ria kicks off Mike is so unrealistic. The bannister won't break that easily and he's a big tall man. There's no way she would have kicked him that far.” From there, an entire cottage industry of speculation bloomed that Mike survived the fall .
A particularly baroque fan theory, cited in an ELLE fan-theory roundup, suggests that if Mike did survive, Fran could be impersonating him – sending texts from his phone to psychologically torture Ria and tighten her control over the younger woman . Is there any proof? Not really. Did that stop the internet? Absolutely not.
Viewers became obsessed with a mysterious crate that Fran has moved into her car and house, apparently with nobody asking any follow-up questions. Fans speculated she might be dabbling in drug dealing or something equally illegal, pointing to her secretive handling of the shipment as evidence that the Sharp household is sitting on a deeper criminal enterprise .
The fate of Anna, a previous cleaner who left behind a notebook with the ominous scribble “Lonely girl lost,” triggered its own wave of theories. Some fans think Fran or Simon are responsible for Anna’s disappearance; others see the Sharp home as a magnet for “unimaginable things,” echoing a character’s warning in the show . In short: the house itself is now fandom-level cursed property.
While the BBC version kept Fran and Ria’s relationship in the murky psychosexual lane, the Colombian Netflix iteration, La Huésped (The Guest), went gloriously all in on the queer tension – and that’s where the fandom really lost its mind.
Netflix Latin America heavily leaned into the fact that telenovela icons Carmen Villalobos and Laura Londoño play lovers in La Huésped, teasing their romance in promos and social clips . Social media went wild over their chemistry, with TikTok and Instagram full of edits, reaction videos and breathless captions about seeing the two as a gay couple onscreen
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In an interview about their intimate scenes, Laura Londoño gushed that working with Villalobos was calm, respectful and full of trust, saying she felt “very comfortable… in a terrain of confidence, play and a lot of respect.” She then signed off with the line that sent shippers into orbit: “Me encantó darte besitos, Carmen. ¡Chao!” (“I loved giving you kisses, Carmen. Bye!”) . Fans immediately clipped and replayed that quote as “proof” that the connection might not be 100% acting – though there’s zero confirmation of any real-life romance.
Across Spanish-language TikTok and fan accounts, you’ll find breathless posts claiming “Carmen Villalobos y Laura Londoño son lesbianas en 'La Huésped'” and treating the show as a big queer event . Rumor has it, according to some fan chatter, that the chemistry is “too real,” but all publicly available info frames their bond as a professional, affectionate working relationship – not an off-screen couple.
The Netflix version’s finale caused its own mini-uproar. Clips and captions speak of “fans indignados con el final de La Huesped” – outraged by how Lorenzo’s storyline and the central romance wrap up . Essentially, people came for the forbidden love and were not universally happy with the emotional carnage that followed.
No arrests, no actual lawsuits (sorry, chaos goblins) – but plenty of controversy.
Between Express and Daily Mail coverage, the BBC run of The Guest was framed as both a hit and a public-relations headache. Headlines trumpeted how it was “inundated with complaints” over implausible plotting, then followed up with pieces about viewers tipping it for a second series and comparing it to deranged ‘90s thrillers . In true British fashion, moaning about it seems to have boosted its profile.
While some social posts dismissed the performances as “amateur drama level at best” , other critics and fans highlighted Eve and Gabrielle as electric and addictive. That tension between “this is trash” and “this is iconic trash” helped keep the show trending through its run.
Proving that controversy is just free marketing, Showtime later acquired The Guest and sister thriller Coldwater as part of an ITV Studios deal, giving Eve Myles’ particular brand of trauma and chaos an even bigger global platform . When a show gets dragged and snapped up for US distribution, that’s practically a badge of honor.
Because the tastiest tea is often in the details:
Gabrielle Creevy revealed in press that she’d had to tone down (“neutralise”) her Welsh accent for previous work and spent time trying to find the right balance in The Guest. A WalesOnline profile noted she eventually left “lonely” London and returned to Wales, saying the country “has her heart” . Some Welsh fans grumbled online that they wanted actors allowed to sound fully Welsh on screen – a subtle but very real cultural tension.
Viewers weren’t expecting full-on horror vibes. Social media posts shared by tabloids reported people calling themselves “a nervous wreck” after “so many jump scares on #TheGuest,” and one poor soul revealed that midway through an episode, “there was a spider crawling up my wall,” compounding the fear factor .
An AOL/Independent review branded it a “copy-paste thriller” that was still compulsively watchable, while the Guardian called it “fast, furious, preposterous” – but in a way that “slips down a treat” . Translation: it’s the TV equivalent of eating an entire family-sized chocolate bar in one sitting. You’ll regret nothing.
Rayo and Daily Mail both reported that The Guest was “tipped for a second series,” with other outlets mentioning development chatter – though nothing formally confirmed by the BBC . Fan reactions ranged from gleeful ("more chaos!") to horrified at the thought writers might find new ways to torture Ria.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.