
Junko Takeuchi
Naruto Uzumaki (voice)

Naruto Uzumaki, Kakashi Hatake, Sakura Haruno, and Rock Lee are assigned to protect the prince of the Land of the Moon, Michiru, during his world trip; other escorts had been hired, but quit due to being treated poorly. The Land of the Moon is a very wealthy nation, so Michiru tends to buy whatever he wants, and has a very materialistic worldview. His Hikaru, also acts in much the same manner.
I’ve always had a soft spot for the Naruto films that aren’t Naruto. Not because they’re better—most of them aren’t—but because they feel like a secret the franchise keeps from itself. While the TV series churns through arcs with the relentless momentum of a shinobi on a mission, the movies get to play. Guardians of the Crescent Moon Kingdom (2006) is no exception.
It’s a film that, for all its flaws, understands something fundamental about childhood: that the line between protection and possession is thinner than we’d like to admit.
The premise is simple, almost parable-like. Naruto and his team are hired to guard Michiru, the spoiled prince of the Land of the Moon, during his world tour. Michiru isn’t just rich; he’s the kind of rich that warps reality.
He buys a circus on a whim, treats people like disposable toys, and sees the world as a vending machine where every button dispenses something shiny. His father, the king, is a man who’s spent his life building a gilded cage, and now he’s watching his son turn it into a playground—one that’s about to collapse.

What’s striking about Guardians isn’t its plot—frankly, there isn’t much of one—but its willingness to let its characters sit in discomfort. The film’s first act is almost a silent comedy of manners, with Naruto and his team trailing Michiru like baffled anthropologists. They’ve been hired to protect him, but what does that even mean when the real threat isn’t an assassin but the prince’s own inability to see people as anything other than extensions of his desires?
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Naruto the Movie: Guardians of the Crescent Moon Kingdom (2006) marked the third theatrical outing for the beloved ninja franchise, but this time, the stakes were personal—both for the characters and the team behind the scenes. Directed by Toshiyuki Tsuru, the film promised a fresh adventure beyond the Hidden Leaf Village, blending action, humor, and a royal twist. Yet, while the movie delivered on spectacle, latestnetflix.com argues, its production had its own share of challenges and quirks worth digging into.
Unlike the previous Naruto films, which leaned heavily into ninja lore and epic battles, Guardians of the Crescent Moon Kingdom took a detour into political intrigue and royal drama. The plot follows Naruto, Sakura, and Rock Lee as they escort Prince Michiru of the Crescent Moon Kingdom—a wealthy but sheltered heir—on a world tour, only to uncover a coup back home. The shift from traditional ninja missions to a story centered on monarchy and inheritance was a bold choice, and one that divided fans.
The film’s original Japanese title, Daikoufun! Mikazuki Shima no Animaru Soudou Dattebayo!! (roughly translating to "Great Uproar! The Animal Panic on Crescent Moon Island!!"), hinted at its lighter, more comedic tone. Tsuru, who also wrote the screenplay, leaned into the fish-out-of-water dynamic, pitting Naruto’s chaotic energy against the prince’s pampered upbringing. The result was a film that felt distinct from its predecessors, though some critics argued it sacrificed depth for whimsy.
The core Japanese cast returned, with Junko Takeuchi (Naruto), Chie Nakamura (Sakura), and Yōichi Masukawa (Rock Lee) reprising their roles. But the film introduced new characters, including Prince Michiru (voiced by Kyousuke Ikeda) and his bodyguard, Karenbana (Akio Otsuka), adding fresh dynamics to the team.
One notable behind-the-scenes detail? The English dub, handled by VIZ Media, featured a different cast lineup than the original Japanese version. While the Japanese cast was consistent with the anime, the English dub—starring Maile Flanagan (Naruto), Brian Donovan (Sasuke), and Dave Wittenberg (Kakashi)—took some liberties with delivery, particularly in comedic scenes. Fans have since debated which version better captured the film’s tone, with some praising the English dub’s exaggerated humor and others preferring the subtlety of the original.
Studio Pierrot, the animation powerhouse behind the Naruto anime, produced the film, but the timeline was reportedly tight. The movie was released in August 2006, just months after the second film, Legend of the Stone of Gelel (2005), suggesting a rapid turnaround. While there’s no direct evidence of major production hurdles in the snippets, the quick succession of films likely put pressure on the team to deliver.
Rumors (unconfirmed) suggest that Tsuru faced creative constraints, with higher-ups pushing for a more family-friendly, marketable product. The film’s focus on humor and spectacle over lore-heavy storytelling may reflect this, though Tsuru’s direction still managed to carve out a unique identity for the movie.
Guardians of the Crescent Moon Kingdom didn’t achieve the same cultural footprint as some of the franchise’s later films, but it remains a curiosity for fans. Its blend of action, comedy, and royal intrigue set it apart, even if the execution wasn’t universally loved. The film’s 4.9/10 rating on SensCritique reflects its mixed reception, with some viewers praising its creativity and others criticizing its pacing.
One undeniable highlight? The soundtrack. The film’s opening theme, "Tsubomi," performed by MARIA, became a fan favorite, and clips of the movie’s climactic battles still circulate online today.
For die-hard Naruto fans, Guardians of the Crescent Moon Kingdom is a fascinating detour—a film that dared to step outside the franchise’s comfort zone. Its behind-the-scenes story is less dramatic than its predecessors, but the creative risks and voice cast dynamics make it a worthy footnote in the Naruto saga.
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