
Aditya Roy Kapur
Tariq "Taru" Haidar

A deliciously romantic coming together of Gulrez “Gullu” Qadir a Hyderabadi shoe-sales girl disillusioned with love because of her encounters with dowry-seeking men; and Tariq “Taru” Haidar a Lucknawi cook who can charm anybody with the aroma and flavours of his biryani and kebabs.
There’s a moment in Daawat-e-Ishq where the camera lingers on a plate of biryani—steam curling off the saffron-stained rice, the meat falling apart at the touch of a fork. It’s not just food; it’s a metaphor, a promise, a weapon. The film, which translates to Feast of Love, knows exactly what it’s doing: serving up romance as something rich, fragrant, and just a little bit dangerous.
But here’s the twist—what if the love story itself is the con? What if the real feast isn’t the one on the plate, but the one being sold to us?
Habib Faisal’s 2014 rom-com doesn’t just play with the tropes of Bollywood romance; it weaponizes them. The premise is deceptively simple: Gulrez “Gullu” Qadir (Parineeti Chopra), a sharp-tongued Hyderabadi shoe salesgirl, is so disillusioned by the parade of dowry-seeking men her father parades in front of her that she decides to turn the tables. Enter Tariq “Taru” Haidar (Aditya Roy Kapur), a Lucknawi chef whose biryani could make a monk abandon his vows.
He’s charming, effortlessly romantic, and—most importantly—seemingly uninterested in the transactional nature of marriage. Gullu sees an opportunity: if she can trick him into proposing, she can expose him as just another gold-digger and reclaim her faith in love. But, of course, love has a way of turning the tables right back.

Faisal, who also wrote the screenplay, has a knack for stories where the line between victim and perpetrator blurs. His previous film, Ishaqzaade (2012), was a fiery, politically charged romance where love and violence were two sides of the same coin. Daawat-e-Ishq is quieter, but no less subversive. Here, the battlefield isn’t a crumbling fort or a riot-torn city, but the domestic sphere—the very place where Bollywood has long insisted love should bloom.
The film’s genius lies in how it uses the language of the rom-com to dismantle the genre’s own fantasies. Gullu isn’t just looking for love; she’s looking for proof that love can exist outside the marketplace. And Taru, with his poetic monologues about the “daawat” (feast) of love, seems like the perfect candidate to deliver it.
But what if the feast is just another transaction?
The film’s first act is a masterclass in misdirection. We’re led to believe this is a classic opposites-attract story, with Gullu’s cynicism clashing against Taru’s idealism. The chemistry between Chopra and Kapur crackles—partly because of their real-life ease with each other, partly because Faisal gives them dialogue that’s equal parts witty and warm.
"A charming yet formulaic romantic comedy with standout performances and vibrant cultural flavors."
The lighthearted romance and cultural backdrop work, and strong lead performances add depth to a predictable plot. The story leans on familiar tropes, but the protagonists' chemistry and the lively setting keep it engaging, even with uneven pacing and hit-or-miss humor.
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Daawat-e-Ishq (2014) promised a fresh take on romance, blending Hyderabadi spice with Lucknawi charm under the direction of Habib Faisal. But behind the film’s vibrant trailer and star-studded cast, latestnetflix.com argues, the production had its share of surprises—some sweet, others sour.
Habib Faisal, known for his sharp social commentary (Ishaqzaade, Band Baaja Baaraat), didn’t shy away from tackling dowry—a grim reality in India—through the lens of a rom-com. The film’s premise followed Gullu (Parineeti Chopra), a Hyderabadi girl fed up with gold-digging suitors, and Taru (Aditya Roy Kapur), a Lucknawi chef with old-school values. The trailer teased a playful battle of wits, but the script’s bold choice to weave dowry into a lighthearted plot raised eyebrows even before release.
Faisal’s approach was risky. Rom-coms typically avoid heavy themes, but the director doubled down, framing the film as a "feast of love" with a side of social critique. Whether audiences were ready for that mix remained an open question.
Despite the chemistry between Kapur and Chopra—who had previously sizzled in Ishaqzaade—Daawat-e-Ishq failed to charm the box office. Sources labeled it a "flop," with one noting it "grossed poorly". The film’s underperformance was surprising given Yash Raj Films’ backing and the leads’ fan following.
Rumors swirled about behind-the-scenes tension, though no concrete evidence emerged. Some speculated the film’s tone—too serious for a rom-com, too frivolous for a drama—alienated audiences. Others pointed to weak marketing or competition from bigger releases. Whatever the reason, the film’s financial disappointment overshadowed its creative ambitions.
The lead pair’s real-life friendship (Chopra and Kapur were cousins) fueled speculation about their on-screen chemistry. While the trailer showcased playful banter, critics later questioned whether their dynamic translated effectively. Anupam Kher, playing Gullu’s father Abdul Qadir, added gravitas to the ensemble, while Karan Wahi’s role as Amjad provided comic relief.
A lesser-known detail: Aziz Rizwan, who played a supporting role, was reportedly a last-minute addition after another actor dropped out. The change went unnoticed by most, but insiders hinted at a rushed shoot for his scenes.
If Daawat-e-Ishq had one standout, it was its soundtrack. Composed by Sajid-Wajid, the songs—like the peppy "Daawat-e-Ishq" (sung by Javed Ali and Sunidhi Chauhan)—became minor hits. The music video, featuring Kapur and Chopra in traditional attire, offered a glimpse of the film’s vibrant aesthetic, even if the movie itself struggled to match that energy.
Nearly a decade later, Daawat-e-Ishq remains a footnote in the careers of its stars. Kapur and Chopra moved on to bigger projects, while Faisal continued exploring socially relevant themes in films like Qaidi Band. The movie’s Wikipedia page and IMDb listing still attract curious viewers, but its box-office failure ensured it never became the cult favorite its premise hinted at.
For fans of offbeat rom-coms, Daawat-e-Ishq might be worth a revisit—if only to see how a film could be both ahead of its time and out of step with it.
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