
Tom Wu
Hundred Eyes

A defiant warrior-monk arrives at Kublai Khan's court in chains and soon earns his tragic nickname in this 30-minute origin story.
I didn’t expect a 25-minute direct-to-video short to linger in my mind like a half-remembered dream, but Marco Polo: One Hundred Eyes does exactly that. It’s the kind of oddity that slips through the cracks of prestige television—too short to be a proper episode, too polished to be a mere extra, and too focused on a single character to feel like a conventional spin-off. What it lacks in runtime, it makes up for in precision, carving out a space for itself in the crowded landscape of historical action dramas by doing something rare: it lets silence speak.

The film centers on Hundred Eyes, the blind warrior-monk played by Tom Wu, a character who first appeared in Netflix’s Marco Polo series as a quiet but lethal presence in Kublai Khan’s court. Here, we’re given his origin story—a defiant, chained figure arriving in the Mongol Empire, his past a mystery, his future uncertain. The premise is simple, almost skeletal, but the execution is anything but.
Director Alik Sakharov, a former cinematographer whose work on Game of Thrones and The Sopranos is defined by its visual economy, understands that in a story about a blind man, what you don’t see matters just as much as what you do.
That’s where the film’s most striking choice lies: its sound design. Hundred Eyes’ blindness isn’t just a plot device; it’s a sensory world unto itself. The clink of chains, the rustle of fabric, the distant hum of a crowded courtyard—these sounds aren’t just ambient noise.
They’re the architecture of his perception. In one early scene, Hundred Eyes stands motionless in a training yard, his head tilted slightly, as if straining to hear the approach of an unseen opponent. The camera lingers on his face, not in close-up, but in a medium shot that lets us see the tension in his shoulders, the way his fingers twitch at his sides.
"A short, intense action spin-off centered on Hundred Eyes, delivering martial arts spectacle and character depth in a tight runtime."
The film centers on Hundred Eyes, a fan-favorite from the *Marco Polo* series, and Tom Wu's performance is praised for its physicality and emotional weight. The fight choreography is the standout, blending drama and combat well. The brevity leaves the supporting cast underdeveloped, and the direct-to-video release limits its production value.
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This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
Netflix’s Marco Polo series was a lavish, if divisive, historical epic—but one of its most intriguing characters got his own standalone story in Marco Polo: One Hundred Eyes (2015). Directed by Alik Sakharov, the 25-minute direct-to-video short dives into the backstory of the blind warrior monk Hundred Eyes, played by Tom Wu. While the project flew under the radar for many, latestnetflix.com maintains, its production offers a fascinating glimpse into how Netflix experimented with expanding its universe.
Unlike traditional TV episodes or feature films, One Hundred Eyes was released as a direct-to-video (DTV) extra, clocking in at just 25 minutes. This format was unusual for Netflix at the time, which typically focused on full seasons or feature-length content. The short’s runtime suggests it was designed as a bonus for fans rather than a standalone project, though its tight storytelling and action sequences make it feel like a self-contained mini-movie.
The film’s original title, Marco Polo: Cent Yeux, hints at its French release, though it was produced in the U.S. And falls under the genres of action, drama, and historical fiction. Despite its brevity, it earned a respectable 7.1/10 rating from viewers on SensCritique, based on nearly 300 votes.
Tom Wu, who played Hundred Eyes in the main Marco Polo series, reprises his role here, bringing the character’s tragic backstory to life. The short explores how Hundred Eyes, a blind warrior, lost his sight and developed his legendary combat skills. Benedict Wong and Michelle Yeoh, who also appeared in the series, return in supporting roles, while Masayoshi Haneda and Lorenzo Richelmy (the latter mentioned in Rotten Tomatoes’ cast list) add to the ensemble.
One of the most compelling moments comes in Hundred Eyes Losing His Sight, a featurette that looks at the character’s emotional journey. The short also includes a high-stakes fight scene between Hundred Eyes and the villainous Jia Sidao, a fan-favorite moment teased in a spoiler-filled clip.
Director Alik Sakharov, a Soviet-born filmmaker known for his work on prestige TV like Game of Thrones and The Sopranos, brought a cinematic flair to the project. His background as a cinematographer likely contributed to the short’s visually striking fight choreography and atmospheric tension. While Sakharov’s filmography is extensive, One Hundred Eyes stands out as a rare foray into historical action, blending martial arts with dramatic storytelling.
Though One Hundred Eyes was a minor release, it reflects Netflix’s early experiments with expanding its original content beyond traditional episodes. The short’s focus on a fan-favorite character suggests the streaming giant was testing ways to deepen audience engagement with its shows. For fans of Marco Polo, it’s a must-watch—offering a richer understanding of Hundred Eyes’ motivations and skills.
Unfortunately, details about the production process remain scarce. No behind-the-scenes anecdotes or budget figures have surfaced, leaving much of the short’s creation shrouded in mystery. Still, its existence proves that even in a crowded streaming landscape, there’s room for bold, unconventional storytelling.
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