Paco León
Fidel

A cleaner woman with vocational street dancer tries to recover her long-stranded son that she gave for adoption, a former CEO who lost everything, including his memories.
I went into The Tribe expecting a Spanish comedy with Paco León and Carmen Machi—two actors who usually guarantee at least a few good laughs, even if the script is thin. What I got instead was something far stranger: a film that keeps trying to be funny but feels like it’s dancing just out of reach of its own punchlines. It’s not that the jokes don’t land; it’s that the film itself seems unsure whether it’s a farce, a drama, or some kind of absurdist experiment where the characters are trapped in a sitcom they didn’t sign up for.

The premise, as far as I can piece it together from the scant synopsis, is a collision of two lives: a cleaner with a passion for street dance (played by Bárbara Santa-Cruz) who’s trying to reconnect with the son she gave up for adoption, and a former CEO (Luis Bermejo) who’s lost everything, including his memory. On paper, that sounds like the setup for a quirky, heartwarming comedy—think The Full Monty meets Amélie, with a dash of Memento’s narrative gimmickry.
But The Tribe never quite commits to any of those tones. Instead, it lurches between broad physical comedy, awkward romantic tension, and moments of genuine pathos, as if the script couldn’t decide whether it wanted to be a feel-good crowd-pleaser or a darker meditation on identity and loss.
Fernando Colomo, the director, has built a career on Spanish comedies that often walk the line between satire and sentimentality. His 2014 film Ismael was a gentle, episodic story about a man reconnecting with his estranged son, and Rivales (2008) was a sports comedy with a surprisingly sharp edge. The Tribe feels like it’s trying to do something similar—using humor to soften the blow of heavier themes—but the balance is off.
The film’s biggest problem isn’t that it’s unfunny; it’s that the humor and the drama feel like they’re happening in two different movies. The dance sequences, for example, are energetic and well-choreographed, but they often arrive like non sequiturs, as if the film suddenly remembers it’s supposed to be a musical and throws in a number to keep things lively. (And then, just as suddenly, it forgets again.)
Spoiler warning
This section contains the full plot, including major story reveals. Overview above stays spoiler-free.
The Tribe (La Tribu, 2018) isn’t just another Spanish comedy—it’s a reunion of some of the country’s most beloved comedic actors under the direction of Fernando Colomo, a pioneer of Madrid’s sharp, socially observant humor. With Paco León and Carmen Machi leading the charge, the film promised a blend of Colomo’s signature comedia madrileña style and the chaotic energy of its star-studded cast. But what really went down behind the scenes?
Fernando Colomo has spent decades shaping Spain’s comedy landscape, and The Tribe was his latest playground. Known for his work on the comedia madrileña—a genre blending humor with social commentary—Colomo brought that same wit to this project . While the evidence doesn’t spill details on his directorial quirks, his reputation for fostering collaborative, high-energy sets suggests The Tribe was no exception. The film’s trailer [2] hints at a fast-paced, ensemble-driven romp, likely a perfect fit for Colomo’s style.
Paco León and Carmen Machi are comedy gold together, and The Tribe capitalized on their chemistry. The duo has a history of delivering hilarious, off-the-wall performances, and their promotional appearances for the film—like the Madrid premiere at Cine Capitol [6]—showcased their effortless rapport. In interviews, they teased the film’s chaotic energy, with Machi calling it a "madhouse" of a project [4][5]. While specifics about on-set antics are scarce, their past collaborations (Aída, Ocho apellidos catalanes) suggest plenty of improvised moments and infectious laughter.
The rest of the cast—including Luis Bermejo, Julián López, and Maribel del Pino—rounded out the ensemble, though details about their individual contributions are thin. What’s clear is that Colomo assembled a team comfortable with his brand of humor, making The Tribe a natural extension of his filmography.
The film’s Madrid premiere was a star-studded affair, with León and Machi stealing the spotlight [6]. Early reactions (or at least the promotional hype) leaned into the film’s chaotic charm, though critical reception remains a mixed bag. Rotten Tomatoes lists the cast but offers no score or consensus , leaving the film’s legacy somewhat in limbo. Still, for fans of Spanish comedy, The Tribe delivered exactly what it promised: a high-energy, ensemble-driven romp with Colomo’s signature touch.
The Tribe may not have become a cultural phenomenon, but it was a love letter to Spanish comedy—bringing together a powerhouse cast under a director who knows how to make them shine. Without deeper behind-the-scenes revelations, the film’s legacy hinges on its trailer [2] and the chemistry of its stars. For now, it stands as a fun, if fleeting, entry in Colomo’s filmography.
Entertainment rumors and trivia aggregated from public reporting. Treat speculation as unverified unless a cited source confirms it.
Movies
Related titles ranked by rating and popularity.