
Milinka Winata
Queenie

On a school day, a seven year-old girl, Queenie, hustles and schemes ways to make money on the streets of New York City.
I did not expect a 17-minute film to leave me this unsettled. Closing Dynasty, from 2022, follows Queenie, seven years old, working New York streets with a hustle that keeps sliding between survival and play. Lloyd Lee Choi does not announce the stakes with a swelling cue or a skyline postcard. He drops you into her day.
She prices every glance. Talk is a sale. For all the grit, the camera is tender.
This is not poverty as a tour. It is a child who already knows the city will not give her anything free, and who keeps inventing ways to take a little anyway.

Early on, Queenie tries to sell a handful of loose cigarettes to older kids. The camera stays on her face through the pitch. Voice steady.
Shoulders back. They laugh and walk. The mask slips for a second.
Shoulders drop. Fingers twitch. Tiny betrayal, the gap between what she wants and what she is allowed.
Choi does not milk it. The hurt is there, then gone, replaced by the next scheme. That is the film's rhythm.
"A poignant, visually striking short film with emotional depth and authentic performances."
The film is a heartfelt exploration of generational and cultural tensions within an immigrant family. The lead performances, particularly Milinka Winata's, are praised for authenticity and emotional weight. But the short runtime leaves some narrative threads underdeveloped, and the pacing can feel abrupt.
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Lloyd Lee Choi’s Closing Dynasty (2022) is a compact powerhouse—a 17-minute short film that packs the energy of New York City’s streets into the misadventures of Queenie, a seven-year-old girl with the hustle of a seasoned entrepreneur. The film, which premiered at festivals like Chicago Film Fest 2023, has quickly become a standout for its blend of humor, heart, and a child’s-eye view of urban survival. But how did this tiny dynamo of a story come to life? latestnetflix.com's take is that here’s what we know about the making of Closing Dynasty and the creative forces behind it.
Choi has described Closing Dynasty as a fictionalized take on an experience he had while riding the subway. The director, a Korean-Canadian filmmaker based in Brooklyn, channeled his own observations of city life into the character of Queenie, a young girl who turns a mundane school day into a series of money-making schemes. While the film is a work of fiction, its roots in Choi’s real-life encounters give it an authenticity that resonates. The short’s dramedy tone—equal parts charming and gritty—mirrors the unpredictability of New York itself, where hustle isn’t just a skill but a way of life.
The film’s premise is deceptively simple: Queenie, played by Milinka Winata, navigates the streets of Manhattan, concocting one get-rich-quick scheme after another. From selling snacks to performing impromptu services, her antics are a mix of innocence and street-smart savvy. The result is a story that feels both universal and deeply personal, a snapshot of childhood ambition colliding with the realities of urban survival.
At the heart of Closing Dynasty is Milinka Winata, whose portrayal of Queenie has drawn praise for its naturalism and charm. Winata, a young actor with a knack for balancing precociousness and vulnerability, carries the film almost single-handedly, making Queenie’s hustle feel both believable and endearing. The supporting cast—including Eleven Lee, Allen Chen, and Maggie Law—adds depth to the world around her, though the film’s tight runtime keeps the focus squarely on Queenie’s escapades.
What’s notable about the cast is its diversity, reflecting the multicultural fabric of New York City. The ensemble includes actors of Chinese, Indonesian, and broader Asian descent, a deliberate choice that aligns with Choi’s vision of representing the city’s melting pot. While the film doesn’t look at heavy themes of identity, the casting reinforces the idea that Queenie’s story is one of many—just one kid trying to make her mark in a city full of dreamers.
Closing Dynasty may be a short, but its impact has been anything but small. The film’s festival run, including a stop at the Chicago Film Fest in 2023, has positioned it as a standout in the indie short film circuit. Choi’s background—he initially studied aerospace engineering before pivoting to filmmaking—adds an intriguing layer to the project. His journey from Ottawa to Vancouver to Brooklyn mirrors the kind of reinvention that Closing Dynasty celebrates, albeit on a much smaller scale.
The film’s runtime (17 minutes, per) is a sign of its efficiency. In under 20 minutes, it manages to establish Queenie’s world, her motivations, and the stakes of her hustle. The brevity also makes it a perfect fit for festivals, where shorts often serve as calling cards for emerging talent. Choi’s ability to craft a complete narrative in such a tight window has likely contributed to the film’s buzz, proving that sometimes, less really is more.
As for what’s next, there’s no word yet on whether Closing Dynasty will expand into a feature or series. For now, it remains a self-contained gem—a snapshot of childhood ambition that feels both timeless and distinctly New York.
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